Arion | A Journal of Humanities and the Classics

Olga Livshin invokes the Mother Muse of Ukraine

A generational milestone, Jon Solomon on Nolan’s Odyssey

Three poems by Peter Sullivan

Emily A. Fenichel on Cellini’s mastery of ancient tricks

Propertius translated by A.M. Juster

Julian Knoll-Tudor on the Library of Alexandria’s loss and the threat of AI

Emma Aston on the Greek mind and the animal sublime

Gordon Braden looks at Latin literature backwards and forwards

Willi Goetschel on the vintage of revolution

Christopher Ell on whether ancient history has a future

Werner Herzog on mathematics and the sublime

A Sibylline poem from Torie Burmeister

A comic ekphrasis of Cranach by Jane Blanchard

Mario Telò drinks deeply from the draughts of tragic scholia

E.J. Hutchinson’s rhyme on classical scholarship

Eight poems from George Kalogeris

Glenn W. Most on the long and winding road of Euripidean reception

Rush Rehm reexamines the complexity of the tragic chorus

Florencia Nelli’s take on tragic reception, a thespian’s view

A survivor’s guide to Pompeii by Alison E. Cooley

Piero Boitani’s poetic nostos: an Odyssey in reflection

Susan McLean translates old tales from Rilke’s New Poems

Louis A. Ruprecht Jr. sheds light on Greece’s oldest cave art

Greco-Roman ruminations from Karl Kirchwey

Richard Wollman’s Ovidian woodblock sculptures

At the Tevere, a poem by Ron Horning

Will Brockliss’s ecocritical review of Edith Hall’s epic environmentalism

Claudia Hauer reinforces the value of Herodotean storytelling

Peter Meineck on Oedipus at Studio 54—yes, that Studio 54