Charles Rzepka | English

Professor Emeritus

Being Cool: The Work of Elmore Leonard (2013)
Co-editor, Blackwell Companion to Crime Fiction (2010)
Detective Fiction (2005)
Sacramental Commodities: Gift, Text, and the Sublime in De Quincey (1995)
The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and Keats (1986)
“Race, Region, Rule: Genre and the Case of Charlie Chan,” PMLA (2007)
“Pictures of the Mind: Iron and Charcoal, ‘Ouzy’ Tides and ‘Vagrant Dwellers’ at Tintern, 1798,” Studies in Romanticism (2003)
“‘Cortez—or Balboa, or Somebody Like That’: Form, Fact, and Forgetting in Keats’s ‘Chapman’s Homer’ Sonnet,” Keats-Shelley Journal (2002)
Obi: An edited online volume of taped performances and essays, Romantic Praxis (2002)
“The Feel of Not to Feel It,” PMLA (2001)
“Bang Up! Theatricality and the ‘Diphrelatic Art’ in De Quincey’s English Mail-Coach,” Nineteenth-Century Prose (2001)
“‘I’m in the Business Too’: Gothic Chivalry, Private Eyes, and Proxy Sex and Violence in Chandler’s The Big Sleep,” Modern Fiction Studies (2000)
“Elizabeth Bishop and the Wordsworth of Lyrical Ballads: Sentimentalism, Straw Men, and Misprision,” Romantic Praxis (1999)
“Thomas De Quincey’s ‘Three-Fingered Jack’: The West Indian Origins of the ‘Dark Interpreter,’” European Romantic Review (1997)
“‘If I Can Make it There’: Oz’s Emerald City and the New Woman,” Studies in Popular Culture (1987)