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There are 6 comments on The King’s Speech Boosts Profile of Stuttering

  1. Even though the methods used then are very different from those used today, it’s great to see positive portrayals of people who stutter in films. Too often, otherwise excellent films (like Pan’s Labyrinth) use stuttering as a shorthand to mark a character as mentally deficient or weak. Unfortunately, those same stereotypes bleed over into real life. My wife is a scientist, but because of her stutter she had to deal with schoolteachers who assumed she was unintelligent.

    Thanks also for instructing people not to finish the sentences of people who stutter. I see it all the time in social situations. The worst is when people try to guess the end of the sentence, but guess wrong. And then keep guess wrong, frustrating the speaker further. Be patient and let the person finish, even if it takes more time than you’re used to.

  2. I have been a speech-language pathologist for more than 30 years. I was saddened to read this article and see another SLP in an important teaching position who doesn’t know Demosthenes (“Aristotle or something”) and uses such poor grammar. This is a important topic but not very clearly discussed.

  3. What’s truly sad is for a colleague to criticize what was clearly a casual aside and ignore the value and insight of what Ms. Parris has to say. Sad. And petty.

  4. I stutter, and the part that bothered me most in the movie and this article was the implication that all stutterers don’t stutter in their heads or when singing or cursing. That isn’t always the case.

    I’m also a little concerned that my family or friends may see this movie and feel they know what will help me, or that I’m not trying hard enough. It’s a tough balance to bring awareness without making the ordinary speaker feel like he or she has all of the answers for a stutterer.

  5. I could write for hours about this film. I only just heard about it last night at a New Year’s Eve party. Saw it today. To use the vernacular, OMG. Director Tom Hooper has a masterpiece on his hands. Geoffrey Rush, Helena Bonham Carter, Derek Jacobi, and Timothy Spall as Winston Churchill, all turn in excellent performances. Not to forget Guy Pearce as King Edward who abdicated his throne for an American divorcée. David Seidler’s script is brilliant. The story is laid out cleverly. The pace and rhythm are PERFECT.

    I think this is one of the best films ever made. It will tear at your guts. And that is where Collin Firth comes in. Mr. Firth gives one of the most poignant and affective performances ever by a male movie star. Where, inside himself, an actor goes for a performance like this, is beyond my comprehension.

    In the movie, “A Single Man”, Colin Firth served notice that he was an actor of depth and subtlety, the surface of which he had only just begun to scratch. Now, he’s more than scratched that surface. He’s gouged a chasm through it. He plays the tormented, soon to be King of England, George VI, and does so in a way that very early in the movie buries his hooks in you and doesn’t let go. I can not ever recall, while watching a film, having to choke back tears for over an hour and a half. The suffering portrayed by Firth as George VI is subtle at times. In your face at others. But painfully present always. When Firth bellows, “I am a King” I nearly lost it in a very quiet, and stunned, theater. If you’ve already seen this film you know what this refers to.

    As an American I find the concept of a monarchy bewildering. Why is one person more privileged than another just because of the womb he or she sprang from? That being said, I do find the stories of those trapped in this anachronistic time warp fascinating at times. This would be one of those times. This film is the intersection of great personal pain, international upheaval, and a family that is ceremoniously dysfunctional to it’s core.

    Above this chaos, confusion, and unrest, rises a weak shell of a man to greatness. Colin Firth is the vessel for that transformation and if he doesn’t win an Oscar for this performance it will tarnish the Academy forever in my humble opinion. This is the kind of performance, and film overall, that you leave thinking to yourself that you’ve just seen the greatest movie ever. Maybe later you’ll see another brilliant film and think that “this one” is the best ever, but for now “The King’s Speech” has no equal.

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