Topics for Fall 2024: Section A1: "Methods of Inquiry in Architecture Studies" This seminar draws from different methods across the humanities, social sciences, and environmental design to explore the range of research methods that can be used in architecture studies and architectural history. As we work through the semester, students do assigned readings that provide an overview of intellectual debates and methodological approaches for architectural research, including humanist, ethnographic, archival, oral historical, urban, environmental, postcolonial, forensic, photographic, and virtual. Throughout, students work on a set of exercises specifically created to expose them to different kinds of methods. Section B1: Carving the Divine: Japanese Buddhist Sculpture. This course explores the golden age of Buddhist sculpture in Japan from the seventh through thirteenth centuries. Through focused studies of major works, students will combine art historical analysis with multidisciplinary approaches to the study of these complex cultural artifacts.
FALL 2024 Schedule
Section |
Instructor |
Location |
Schedule |
Notes |
A1 |
Alnajada |
CAS 308 |
M 2:30 pm-5:15 pm |
|
FALL 2024 Schedule
Section |
Instructor |
Location |
Schedule |
Notes |
B1 |
Borengasser |
CAS 303A |
T 3:30 pm-6:15 pm |
- |
SPRG 2025 Schedule
Section |
Instructor |
Location |
Schedule |
Notes |
A1 |
Alnajada |
CAS 303A |
R 12:30 pm-3:15 pm |
. |
SPRG 2025 Schedule
Section |
Instructor |
Location |
Schedule |
Notes |
B1 |
Zhang |
CAS 303A |
W 2:30 pm-5:15 pm |
Course Title: Artistic Encounter and Exchange in the Qing Empire
Course Description: This seminar delves into the complex challenges that art historians face when navigating cultural interactions, encompassing visual, linguistic, and philosophical dimensions. Our primary focus will be on the Qing dynasty (1644-1911), the last imperial dynasty of China, ruled by the minority Manchus. We will explore the appropriation and translation of visual schemes and artistic technologies between China and Europe, as well as with East, Central, and South Asia, and the Americas.
Throughout the course, we will engage with a variety of interdisciplinary scholarly readings that present innovative perspectives on the movement of ideas and visual forms across cultures. These discussions will provide a rich context for understanding artistic innovation and how art reveals underlying beliefs, values, and power dynamics.
Course taught by Gillian Zhang
Wednesdays, 2:30-5:15 PM |
Note that this information may change at any time. Please visit the MyBU Student Portal for the most up-to-date course information.