Our Radical Year
President Robert A. Brown
Joining the AAU
What Price, Innovation?
Ruha Benjamin
Discovery Junkies
William Saturno
Dark End of the Spectrum
Helen Tager-Flusberg
Human Engineers
Dean Kenneth Lutchen
Unlocking Words
Abriella Stone
Cavewoman Walking
Jeremy DeSilva
The Politics of Listening
Ashish Premkumar
$1B Campaign
Stepping Up
Dean Maureen O’Rourke
Professor in the Coal Mine
Lucy Hutyra
Teaming up with edX
Clapping, Stomping, Twirling
Sajan Patel
Force Field
Sally Starr
The Computer Will See You Now
Dr. Brian Jack
Birth of an Artist
Jim Petosa
Elizabethan Time Machine
Diana Griffin
Joining the Patriot League
Healing Zambia
Donald Thea
Spring Break, Not
Jenne Bougouneau
Our Smartest Class
Creaky Nation
Julie Keysor
Melting Prison Bars
André de Quadros
Best of Both Worlds
Katie Matthews
Faculty Accolades
Film Frisson
Mary Jane Doherty
Financials
Saliva Solution
Eva Helmerhorst
Testing Fate
Catharine Wang
Our Radical Year
President Robert A. Brown
Joining the AAU
What Price, Innovation?
Ruha Benjamin
Discovery Junkies
William Saturno
Dark End of the Spectrum
Helen Tager-Flusberg
Human Engineers
Dean Kenneth Lutchen
Unlocking Words
Abriella Stone
Cavewoman Walking
Jeremy DeSilva
The Politics of Listening
Ashish Premkumar
$1B Campaign
Stepping Up
Dean Maureen O’Rourke
Professor in the Coal Mine
Lucy Hutyra
Teaming up with edX
Clapping, Stomping, Twirling
Sajan Patel
Force Field
Sally Starr
The Computer Will See You Now
Dr. Brian Jack
Birth of an Artist
Jim Petosa
Elizabethan Time Machine
Diana Griffin
Joining the Patriot League
Healing Zambia
Donald Thea
Spring Break, Not
Jenne Bougouneau
Our Smartest Class
Creaky Nation
Julie Keysor
Melting Prison Bars
André de Quadros
Best of Both Worlds
Katie Matthews
Faculty Accolades
Film Frisson
Mary Jane Doherty
Financials
Saliva Solution
Eva Helmerhorst
Testing Fate
Catharine Wang
Birth of an Artist
Helping his students find their artistic voices keeps Jim Petosa young.
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Watching the change come over their faces when they at last find their voice—it’s the experience School of Theatre Director Jim Petosa lives for. “The moment of illumination,” he calls it.
“When students discover their reason-to-be as theater artists, it’s incredibly exciting. Being able to help them toward that moment is what gets me out of bed in the morning.”
This year, Petosa took over the reins at the New Repertory Theater in Watertown, Massachusetts. Keeping a foot in the working world of theater only benefits his charges. Petosa founded the Boston Center for American Performance at BU, which gives School of Theatre students a chance to work on productions with professional actors. By the same token, the aspiring thespians have helped shepherd Petosa in his own artistic journey.
“The students keep me connected to my own reasons for being a theater artist and my own message,” he says. “The give-and-take is important to all levels of education. As you age, the students tend not to. They keep me contextualized in a more fruitful way.”