Vol. 16
Arion 16.1 Spring/Summer 2008
Camille Paglia: Feminism: Past and Present: Ideology, Action, and Reform
Bruce Redwine: The Melting Mirage of Lawrence Durrell’s White City
Colin Sydenham: Translating Housman and Housman Translating
Simon Perris: Genre, Identity, and Parody in Derek Mahon’s Bacchae
Adam L. Dressler: Two Poems
Janet Lloyd translates Marcel Detienne: The Metamorphoses of Autochthony in the Days of National Identity
Martin Revermann: The Appeal of Dystopia: Latching onto Greek Drama in the Twentieth Century
Maria Rybakova: Two Genders of the Soul Regarding the Love God
Karl Johnson translates Horace: Time and the City Boy: Odes 1.9
Raymond Geuss: Culture as Ideal and as Boundary
John Savoie: Consider This
Roderick Beaton reviews: The Fall of Troy by Peter Ackroyd
Howard Stein reviews: Sophocles, Electra. The Greek National Theatre, directed by Peter Stein
Peter Meineck reviews: Conversations at Tusculum by Richard Nelson
Arion 16.2 Fall 2008
Camille Paglia: The Selection Process for Break, Blow, Burn
R.J. Schork: The Singular Circumstance of an Errant Papyrus
Avi Sharon translates George Seferis: From Erotikos Logos
Elizabeth Powers: Henry James and William Wetmore Story
Steven J. Willett translates Tibullus: Elegy 1.10
Ryan K. Balot: Utopian and Post-Utopian Paradigms in Classical Political Thought
Garry Wills translates Martial: From Book Eleven
Andrea Nightingale: Auto-Hagiography: Augustine and Thoreau
Amelia Arenas translates Augustine: Quid Autem Amo
Colin Wells: The Mystery of Socrates’ Last Words
Rebecca Nemser reviews: Fram by Tony Harrison, directed by Tony Harrison and Bob Crowley, National Theatre, London
Michael Lynn-George reviews: The Legacy of Homer: Four Centuries of Art from École Nationale Supérieure des Beaux Arts, Paris by Emmanuel Schwartz
Howard Stein reviews: Sophocles, Antigone; translated by Seamus Heaney as The Burial at Thebes; directed by Lucy Pitman-Wallace with the Nottingham Playhouse Theatre Company
Arion 16.3 Winter 2009
Anne Carson: Contempts
Aaron Poochigian: Two Poems
Paul Barolsky: Homer and the Poetic Origins of Art History
Karl Kirchwey: Four Poems
Elizabeth Jones: Horace: Early Master of Montage
Elizabeth Jones translates Horace: Quantum distet (Odes 3.19)
Norman Austin: Uncanny Homer
Kristin Weißenberger: My Cousin is Medea: Styria, Winter 2006
J. Michael Walton: Theobald and Lintott: A Footnote on Early Translations of Greek Tragedy
John Talbot translates Horace: Two Odes
Paul Nemser: From Taurus and Europa in St. Petersburg
Ian Ruffell reviews: Comic Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy by Martin Revermann
Howard Stein reviews: The Necessity of Theater: The Art of Watching and Being Watched by Paul Woodruff