Vol. 30

Arion 30.1 Spring/Summer 2022

Robert Heard: Two Poems
Kevin Solez: The Rage and the Kill-Ease
M. J. Fitzgerald: The Odyssey’s Slow Movement
Nick Moschovakis translates Stamatis Polenakis: The Glorious Stone
Alexander Hollmann: Theater of Dionysus
Oliver Taplin: Tragedy in the Time of Plague
Jill Peláez Baumgaertner: Play
Mark Lundy: Finding Medea in a Dream of Passion
Kyle Gervais translates Ovid: Cupid’s Laugh (Amores 1.1)
A. M. Juster translates Petrarch: From the Canzoniere
David Ricks: Walter Shewring’s Sallies
Martin Bennett translates Martial: Four Poems on Conviviality
Zooey Park translates Alexander Pushkin: Arion and Cyclops
Konrad Weeda reviews: Strategic Humanism by Claudia Hauer
Stephanie Nelson reviews: Classics and Celtic Literary Modernism by Gregory Baker

Arion 30.2 Fall 2022

Andrew McCarron: Death of the Mentor: A Remembrance of William C. Mullen
Alysse Rich: Three Poems
Wade Newman: “Sisyphus”
Laurie Glenn Hutcheson: Ovid and Michelangelo on the Heliades
Nick Moschovakis translates Vergil: Aeneid II. 402-452
Jack Mitchell translates Catullus: Lesbia’s Sparrow
C. Luke Soucy: The Gnomes of Rome: On the Carmina Priapea
Susan McLean translates Rilke: New Poems
Max Roland Ekstrom: “Briseis Mourns Achilles”
W.J.T. Mitchell: Seeing through Madness: A Roman Holiday
Paul Barolsky reviews: Scarabocchio da Leonardo da Vinci a Cy Twombly by Francesca Alberti and Diane H. Bodart
Herbert Golder reviews: Ajax by Argyris Xafis and the National Theater of Greece
Megan O’Donald: Drawings from Greece and Italy

Arion 30.3 Winter 2023

Anne Carson: Cy Twombly: A Rustle of Catullus
Diana Lueptow: Cerulean: Variation on Lines of Durrell
J. Michael Walton: The Theatre Historian’s Perspective
Jack Granath: Character is Fate
Seth Lerer: A Seussian Catullus on Sparrows and Kisses: Carmina 2 & 5
Patrick Whalen translates Horace: To Thaliarcus (Ode 1.9)
Martin W. Michálek: Dislanguaged: David Ferry’s Orphic Turn
Clifford Weber and Robert Stoddart: 1.5.25 Ovidianorum Amorum Responsio
Joan Mut Arbós: On the Importance of the Classical Sources for Gérôme’s Circus Maximus
Maryann Corbett translates Christine de Pizan: Cent Ballades
Hannah Sullivan: “Zeno’s Arrow”
Catherine Connors reviews:  Geographies of Myth and Places of Identity by Marco Benoît Carbone
Brandon Jones reviews: Cy Twombly: Making Past Present at the MFA, Boston