Vol. 22

Arion 22.1 Spring/Summer 2014

Carolin Hahnemann: An Exploration of Alice Oswald’s Memorial
James Como: The Salon: Restoring Conversation
Francis Blessington: The Boxer at The Met
Ben F. S. Altshuler and Thomas Mannack: Shedding New Light on Ancient Objects
Michael West: Just How “Like Horace in the True Horatian Vein” Was Robert Frost
Paul Barolsky: Dante’s Infernal Fart and the Art of Translation
Brian Sneeden: “Persephone”
Robert Tindall and Susana Bustos: Odysseus’ Vision in Hades
Thomas McCreight translates Apuleius: Florida 6
Louis A. Ruprecht, Jr.: Antoine Chrysostome Quatremère de Quincy
Marguerite Johnson: Memories of Erinna
Karen Simons reviews: Virgil’s Garden: The Nature of Bucolic Space by Frederick Jones
Justine McConnell reviews: Brand New Ancients by Kate Tempest

Arion 22.2 Fall 2014

A.M. Juster translates Erasmus: Epitaph for a Drunken Twit
Diskin Clay: Dante’s Parnassus: and Raphael’s Parnaso
Avi Sharon translates Paulus Silentarius: Four Poems
Ken Moore: Plato’s Puppets of the Gods
Brian Sneeden: Phthisis: A Letter
James Tatum: A Real Short Introduction to Classical Reception Theory
Helaine L. Smith: Frogs for Middle School
Paul Barolsky reviews: The Classical Tradition: Art, Literature, Thought by Michael Silk, Ingo Gildenhard, and Rosemary Barrow
Martin A. Ruehl reviews: A Most Dangerous Book by Christopher Krebs

Arion 22.3 Winter 2015

Lawrence Dugan: Four Poems
Jonathan Rosand: A Tribute to My Father
Peter Green translates Homer: Iliad 24
David Gomes Cásseres: Penelope
Colin Wells: The Coming Classics Revolution, Part I: Argument
Tom Keeline: Florilegium Housmanianum
James Nikopoulos: Eleni and Her Rhapsodists
George Kalogeris: Two Poems
J. Michael Walton: Frogspawn: A Play for Radio
Thomas K. Hubbard reviews: The Collected Works & Commissioned Biography of Edward Perry Warren edited by Michael Matthew Kaylor
Marianne McDonald reviews: Dionysus Resurrected: Performances of Euripides’ The Bacchae in a Globalizing World by Erika Fischer-Lichte
Justine McConnell reviews: Stink Foot, Yard Theatre, Hackney, adapted and directed by Jeff James