Vol. 25
Arion 25.1 Spring/Summer 2017
Wendy Artin: Palmyra (cover)
David Ferry translates Virgil: Aeneid vi.679–751
Norman Austin: Nausikaa and the Word that Must Not Be Spoken
Brian Walters: From Propertius
Ian Fielding: Roberto Bolaño Harasses Horace
Karl Johnson translates Horace: Counting His Blessings
Colin Cromwell Pang: Catullus, Hip-hop, and Masculinity
Margaret Wack: Two Poems
Alan Sumler: Ingredients and Ecstatic Outcomes in Magical Papyri
Joan Kimball: Two Poems
Joseph Russo and Bennett Simon: Gambling with Demeter
Lawrence Dugan: Two Poems
Karl Kirchwey: From Mutabor: “Palmyra” and “Colosseum”
Louis A. Ruprecht Jr. reviews: Comic Democracies by Angus Fletcher
Helaine L. Smith reviews: The Berlin Painter and His World
Arion 25.2 Fall 2017
Paul Barolsky: The Visionary Architecture of the Pazzi Chapel
Ricardo Pau-Llosa: Three Poems
Theodore Ziolkowski: Why Roman Poets In Modern Guise?
Steve Kronen: Four Poems
Raymond Geuss: Teaching Nietzsche
Vanda Zajko: Ancient Tragedy, Shakespeare and the Concept of Character
Charles Martin: Narcissism For Beginners
Louis A. Ruprecht Jr.: Winckelmann and the Vatican’s Museo Profano
Edmund Keeley: The Madman of Athens
Fred Licht: The Guard as Critic, or the Duchamp Factor
Ilya Bernstein: L’Ottimo Artista
Patrick O’Donnell: An Interview with Caroline Alexander
Marianne McDonald reviews: The Irish Classical Self by Laurie O’Higgins
Norman Austin: The Goatherd: An Encounter with Virgil’s First Eclogue
Matthew A. Sears: Mother Canada and Mourning Athena
Jane Blanchard: Two Poems
Isabelle Torrance: The Politics of Literary Allusion in Marina Carr’s Ariel
Justin Hudak: Cold Copulars: Notes Toward a Horatian Stevens
Jamey Hecht: The Sirens
Claire Sommers: School of Shadows: The Return to Plato’s Cave
Brian Walters translates Lucretius: A Prayer For Peace
Fred Licht: A Lost Museum
Benjamin Eldon Stevens translates Gwenaëlle Aubry: Persephone 2014
Paul Barolsky reviews: Michelangelo: Divine Draftsman and Designer by Carmen C. Bambach
John Palmer reviews: Early Greek Philosophy by André Laks and Glenn W. Most