History in Images, History in Words: In Search of Facts in Documentary Filmmaking


History in Images, History in Words: 

In Search of Facts 
in Documentary Filmmaking

A lecture by Carma Hinton

Robinson Professor of Visual Culture and Chinese Studies at George Mason University

Monday April 10, 2017 from 4-7 pm

at the Photonics Center (9th fl.), 8 St. Mary’s Street, Boston University

17_4_10 Carma_semifinal as of 3.20.17 1038amMy presentation will focus on the process of documentary filmmaking, especially the many challenges my team and I faced in trying to create engaging filmic narratives that are both factually accurate and encompass multiple perspectives. I will use excerpts from my films as well as out-takes to illustrate the difficulties in determining what information to include and exclude, assess the compromises involved in the choices, and explore the consequences of taking various possible paths. I will also address the different problems that a historian encounters when presenting history in images as opposed to in words: the potential and limitation of each medium and what information each might privilege or obscure.  I believe that in this age of “alternative facts” and “parallel universes,” reflections on the challenges in obtaining authenticity and truth and the importance of relentlessly striving to reach this goal, take on particularly urgent meaning.

About the speaker:

Carma Hinton is an art historian and a filmmaker. She received her Ph.D. in Art History from Harvard University and is now Robinson Professor of Visual Culture and Chinese Studies at George Mason University. Together with Richard Gordon, Hinton has directed many documentary films, including Small Happiness, All Under Heaven, To Taste a Hundred Herbs, Abode of Illusion: The Life and Art of Chang Dai-chien, The Gate of Heavenly Peace, and Morning Sun. She has won two Peabody Awards, the American Historical Association’s John E. O’Connor Film Award, the International Critics Prize and the Best Social and Political Documentary at the Banff Television Festival, and a National News & Documentary Emmy, among others. Hinton is currently working on a book about Chinese scrolls depicting the theme of demon quelling. Carma Hinton was born in Beijing. Chinese is her first language and culture.

Carma Hinton and Richard Gordon 1989

Thinking Through the “Literary Chinese Cosmopolis:”

Thinking Through the "Literary Chinese Cosmopolis:" 
Poetic Glimpses from Ninth Century Silla Korea and Heian Japan

Dr. Xin Wei, Korea Foundation Postdoctoral Fellow, Boston University
Chair/Discussant: Professor Wiebke DeneckeProfessor of East Asian Literatures and Comparative Literature, Boston University

Thursday, March 29, 4:00 pm to 6:00 pm

Co-sponsored by the World Languages and Literatures Department and the Boston University Center for the Humanities

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The event will take place at:

CAS 426, Boston University, 725 Commonwealth Avenue, Boston

Abstract

Xin Wei
Korea Foundation Postdoctoral Fellow
Boston University

Sheldon Pollock’s vision of a “Sanskrit Cosmopolis” has recently inspired East Asianists to think about the nature of premodern East Asia and the interregional cultural exchange. In this paper I show how to use Pollock’s concept to discover a “Literary Chinese Cosmopolis” with its own distinctive traits. I examine the function of “literary Chinese” as a cosmopolitan poetic language in East Asia, zooming into the ninth century and the appearance of two superlative writers in literary Chinese, Ch’oe Ch’iwŏn from Silla Korea and Sugawara no Michizane from Heian Japan: Ch’oe is celebrated as the founding father of “literature in Chinese” in Korean history, and Michizane is worshiped in the many Tenmangū across Japan as the God of scholarship, one of the top three Shinto cults in modern-day Japan. Together with their Tang contemporary, Pi Rixiu, who joined Huang Chao’s rebellion to overthrow the Tang, I sample each of their poems to show their unique, but time-sensitive, participations in the “Literary Chinese Cosmopolis.” I argue that the conquering and mastering of the Chinese civilization by the “barbarians” is also the underlying reason for the collapse of the Literary Chinese cosmopolis.

Event Recap: 2018 Chinese New Year Celebration (2/22/18)

On February 22, 2018, Boston University Center for the Study of Asia (BUCSA), WLL Chinese Language Program, Global Programs, and Tufts University Confucius Institute organized an event to celebrate Chinese New Year. Here is a video recap, along with a collection of photographs taken from the event:

2018 春节晚会 from BUCSA on Vimeo.

Thank you for coming, and we hope everyone had a wonderful Chinese New Year!

China Global Research Colloquium

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CHINA GLOBAL RESEARCH COLLOQUIUM
"What Global Aid, Trade, and Investment Networks Can Tell Us
About China's Belt and Road Initiative"

Wednesday February 14, 2018, 3:00 - 4:30pm

Join us on Febraury 14th and listen to Sara Sklar, Ph.D. student at Boston University on "What Global Aid, Trade, and Investment Networks Can Tell Us About China's Belt and Road Initiative."


The Colloqiuium will take place at
Global Development Policy Center, Boston University
53 Bay State Road

Register here

Prof. Menegon Co-edits Journal Issue on Maritime China and Publishes Article on Sino-Western Relations

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Professor Eugenio Menegon, Associate Professor of History

The Journal Cross Currents: East Asian History and Culture Review (online and print journal based at UC Berkeley) published an open access issue in December 2017, co-edited by Professor Eugenio Menegon with Professors Philip Thai (Northeastern University) and Xing Hang (Brandeis University), entitled “Binding Maritime China: Control, Evasion, and Interloping.”  Based on a conference with the same title organized at Boston University in May 2015, with support from the BU Center for the Study of Asia, the Dean’s Office at BU’s College of Arts and Sciences, Northeastern University Humanities Center, Brandeis East Asian Program and Office of the Dean,  and the Ministry of Education in Taiwan, the issue features five articles on early modern and modern Maritime China.

Street scene with São Domingos (Saint Dominic), the convent of the Portuguese Dominicans in Macao, seat of the Propaganda Fide procurators between 1732 and 1776. Watercolor by George Chinnery, c. 1840– 1845. Courtesy of the Peabody Essex Museum, Salem, MA.
Street scene with São Domingos (Saint Dominic), the convent of the Portuguese Dominicans in Macao, seat of the Propaganda Fide procurators between 1732 and 1776. Watercolor by George Chinnery, c. 1840– 1845. Courtesy of the Peabody Essex Museum, Salem, MA.

Among them is Menegon’s “Interlopers at the Fringes of Empire: The Procurators of the Propaganda Fide Papal Congregation in Canton and Macao, 1700-1823.”The article examines the office of the procurator (financial agent) of the papal Sacred Congregation for the Propagation of the Faith (Sacra Congregatio de Propaganda Fide), a unique case study of noncommercial interloping in the long eighteenth century in the Pearl River Delta, which reveals the complexity and fluidity of life at the intersection of Asian and European maritime environments in the special human ecosystem between Canton and Macao. Using sources preserved in Rome, the article offers new insights into the global mechanisms of trade, communication, and religious exchange embodied by the procurators-interlopers and their networks, with significant implications for the history of the Sino-Western trade system, Qing policies toward the West and Christianity, and the history of Asian Catholic missions.

Taiwan Forum 2018


Taiwan Forum 2018:

"Museums, Qing 'Global Art,' and the
Preservation of Cultural Heritage in Taiwan and China Today"

Friday February 2, 2018, 2:00 - 5:00pm
Reception to follow

The way museums and art historical research have been changing in recent years reflects on the one hand the globalization of China and its prosperity and ambition, and on the other, the new developments in society and culture on Taiwan and China. By combining presentations on Qing court artifacts at the Palace Museums in Taiwan and the PRC as a form of early cosmopolitan and global art together with reflections on historical memory in China and Taiwan, we aim to spark a stimulating conversation on cultural heritage, ‘global’ art, and museums in Taiwan and China today.


The Taiwan Forum will take place at
Riverside Room, 121 Bay State Road
Pardee School of Global Studies

Speakers:

Prof. Cheng-hua Wang (Associate Professor, Department of Art and Archaeology, Princeton University): “The Global Nature of High Qing Court Art”

Dr. Daniel Greenberg (Mellon Teaching Fellow and Lecturer in Art History and Archaeology, Columbia University): “Empire, Environmental Art History, and the National Palace Museum Collection”

Prof. Magnus Fiskesjö (Associate Professor, Department of Anthropology, Cornell University): "Museums and Historical Memory Between China and Taiwan"

BU Chairs:

Professor Cathy Yeh (Chinese Literature and Transnational Studies; Department of World Languages and Director of BUCSA)

Professor Eugenio Menegon (Chinese and Global History; Department of History)

BU Respondents:

Professor Alice Tseng (History of Japanese Art and Architecture; Chair, Department of History of Art and Architecture)

Professor Robert E. Murowchick (Chinese and East Asian Archaeology; Associate Director of BUCSA and Director of BU's AsianArc Initiative)

The Taiwan Forum is co-sponsored by the ROC Ministry of Education and the Education Division--TECO Boston

 

China Global Research Colloquium


CHINA GLOBAL RESEARCH COLLOQUIUM
"Policies Governing China's Overseas Climate Finance"

Wednesday February 7, 2018, 3:30 - 5:00pm

The first China Colloquium in the series will take place on February 7th. Qi Qi, Ph.D. student in Economics and Public Policy under the joint supervision of faculty from the Fletcher School and the Department of Economics in Tufts’ School of Arts and Sciences, will lead the first roundtable on "Policies Governing China's Overseas Climate Finance."


The Colloqiuium will take place at
Global Development Policy Center, Boston University
53 Bay State Road

Register here

2018 BU ASIAN FILM WEEK

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BU ASIAN FILM WEEK
Asian Heritage: The Past in the Present

February 21 - 28, 2018
For BU Community only

 

 

COLLOQUIUM

Speakers:
Roberta Micallef (BU WLL)
Yoon Sun Yang (BU WLL)
Sarah Frederick (BU WLL)
Shilpa Parnami (BU WLL)
Petrus Liu (BU WLL)

Time: Wednesday, February 21, 2018, 3:00 pm - 6:00 pm
Location: Geddes Language Center | 685 Commonwealth Avenue, Room 533B

Dinner served


FILM SCREENINGS

Thursday 2/22
3:30-6pm | TURKISH film: "A Touch of Spice" (2003) Dir. Tassos Boulmetis
Location: Geddes Language Center | 685 Commonwealth Avenue, Room 533B

Friday 2/23 
2:30-5pm | KOREAN film: “The face reader” (Kwansang, 2013) Dir. Han Jae Rim
Location: Geddes Language Center | 685 Commonwealth Avenue, Room 533B

Monday 2/26 
3:30-5:30pm | JAPANESE film: “Princess Mononoke” (1997) Dir. Hayao Miyazaki
Location: Geddes Language Center | 685 Commonwealth Avenue, Room 533B

Tuesday 2/27 
3:30-6pm | PAKISTANI film: “Silent Waters” (Punjabi and Urdu, 2003) Dir. Sabiha Sumar
Location: Geddes Language Center | 685 Commonwealth Avenue, Room 537A

Wednesday 2/28 
3:30-6pm | CHINESE film: Swordsmen II: Asia the Invincible (1992). Dir. Ching Siu-tung
Location: Geddes Language Center | 685 Commonwealth Avenue, Room 533B