Upcoming Events
Tuesday, September 9, 4 PM – 6 PM
121 Bay State Road, Boston MA
BUCSA Fall Reception
Thursday, September 18, 4 PM – 5:30 PM
75 Bay State Road, Boston MA
Development, Dispossession, and Desires in Jeju with Youjeong Oh
Monday, September 22, 2025, 5PM – 6:30 PM
Rm. 101, 610 Commonwealth Ave., Boston, MA 02215
Taiwanese Politics and US-China-Taiwan Relations Under Trump 2.0 with S. Philip Hsu
Monday, September 29, 1 PM – 2:30 PM
121 Bay State Road, Boston MA
An Infirm Ascendency? India’s National Security Challenges with Ashley Tellis
Wednesday, October 1, 5pm-6:30pm
121 Bay State Road, Boston
The Contested Meaning of Symbolic Spaces in Bangkok, Hong Kong, and Shanghai
Thursday, October 2, 5pm
8O8 Commonwealth Ave., 1st Floor, Boston MA
Film Screening: “Made in Ethiopia”
Tuesday, October 14
Fuller 206, 808 Commonwealth Ave., Boston MA
“The Dawn Is Too Far” A Film Screening and Discussion with Persis Karim
Monday, October 20, 4 PM-5:30 PM
121 Bay State Road, Boston MA
The Vietnamese Áo Dài in a Time of War: Fashion, Citizenship, and Nationalism (1954–1975)
Monday, October 27, 7 PM
Room 104, 808 Commonwealth Ave, Brookline, MA
Song of Earthroot: Film Screening and Talkback
Wednesday, October 29, 5 PM – 6:30 PM
871 Commonwealth Ave, Room 511, Boston MA
Together in Manzanar: The True Story of a Japanese Jewish Family in an American Concentration Camp with Tracy Slater
Thursday, October 30, 4 PM – 5:30PM
From Refugees to ‘Non-Criminal Collaterals’: Immigration after the Vietnam War and Now with Ben Tran
Thursday, October 30, 2025, 4:30 PM – 6 PM
Getting Along with Imaginary Others: Case Studies in Japanese Fiction with Christopher Weinberger
Saturday, Saturday, November 1, 2025, 7:30 PM
The Odyssey, Music by Vân-Ánh Vanessa Võ, Blood Moon Orchestra, and Arneis Quartet
Tuesday, November 4
121 Bay State Road, Boston MA
Learning from Japan: Expos Past, Present, and Future with Angus Lockyer
Thursday, November 6, 4 PM – 5:30 PM
The Backstage of Democracy: India’s Election Campaigns and the People Who Manage Them with Amogh Sharma
Saturday, November 8, 2025, 11 AM
Free Seminar: Cinema Masala with Dr. Shilpa Parnami
Friday, November 21
Symposium: The Contours of Alid Devotion Past and Present
10-27-2025 – Song of Earthroot: Film Screening and Talkback with Kinh Vu
Monday, October 27, 7 PM
Room 104, 808 Commonwealth Ave, Brookline, MA
Please register here.
Song of Earthroot is a feature-length documentary that centers on Kinh T. Vu, a gay Vietnamese American music education professor, who was adopted at the end of the American War in Vietnam. We follow Kinh as he returns to Vietnam for the 37th time in 11 years as he reclaims his story by writing his first song, titled “Việt Nam, Tôi Xin Lỗi” (I’m Sorry, Vietnam).
This story is not about an adoptee’s search for birth parents, blood belonging, or adopted belonging. Nor is it about the “heroism” of the West for saving kids via adoption - that white saviorism is best left for another author. Instead, this film is a yearning to re-assimilate and reconnect to roots, even in his middle age. Kinh attempts a rejection of the Western socialization forced upon him when he was adopted, paired with much deeper reluctance or perhaps inability to do so. There is guilt, driven by shame. There is delusion, driven by ego. There is the universal struggle to self actualize desperately as he grows older but fights to remain young at heart. Through song and conversation, we follow Kinh as he writes what he feels is the last piece of the puzzle before he can buy a one way ticket to return Home.
10-30-25 – From Refugees to ‘Non-Criminal Collaterals’: Immigration after the Vietnam War and Now with Ben Tran
Thursday, October 30, 2025
4 PM - 5:30 PM
120 Bay State Road, Boston MA
Please register here.
This lecture explores the contrasting policies directed at refugees following the Vietnam War and the racialized criminalization of migrants today. It analyzes how the socio-political climate of the late 1970s and 1980s facilitated a relatively robust support system for Vietnamese refugees in the United States, characterized by humanitarian aid, community-building efforts, and federal programs aimed at integration. In contrast, the immigration landscape in the US today is more draconian, influenced by shifting political narratives and contexts. This paper further compares these differences by underscoring Vietnam’s post-civil war nation-state and the history of Asian migrants to the US. Contemporary capitalism, the paper argues, has reached a new register of profiteering from and exploitation of "illegal aliens.”
This talk is brought to you by the BU College of Fine Arts School of Music, Center for the Study of Asia at the Pardee School, Office for the Arts, and the Center on Forced Displacement. With grant support from the BU Center for the Humanities.
Ben Tran is Associate Professor of Asian Studies and English at Vanderbilt University. He researches and teaches the politics and aesthetics of twentieth- and twenty-first century Southeast Asian, Asian American, and Anglophone literatures. He is the author of Post-Mandarin: Masculinity and Aesthetic Modernity in Colonial Vietnam (2017); and his work has been published in Cultural Critique, PMLA, positions: asia critique, Modern Fiction Studies, and The Oxford Handbook of Global Modernisms. Ben Tran’s current scholarship has two trajectories. The first project traces how the biological necessity of breathing has become a universal right to breath that we must now fight for, amid the weaponization of the atmosphere, increasingly transnational police tactics, and the history of air conditioning. The second, entitled Digital Coolie-ism, examines how Asian migration during 19th-century European imperialism intersects with the current border-control system and the increasing use of biodata.
10-30-2025 Getting Along with Imaginary Others: Case Studies in Japanese Fiction with Christopher Weinberger
Thursday, October 30, 2025, 4:30 PM – 6 PM
CAS 533B, 685 Commonwealth Avenue, Boston, MA 02215
Hybrid - also via Zoom. Register HERE.
Can novels contribute to the ethical lives of readers? What responsibilities might they bear in representing others? Are we ethically accountable for how we read fiction? Modern Japanese novels and contemporary metafiction, neither of which have figured centrally in Anglophone scholarship on novel ethics, offer innovative answers to these and other questions.
This talk will offer new readings of seminal works of Japanese literature to demonstrate how their metafictional strategies can provide new perspectives on contemporary concerns, including debates about identification and empathy, the representation of alterity, and widespread disagreement about whether novel ethics consists in the manner of reading, the effects of reading, or the content of novel representation. We will briefly trace the development of an overlooked “ethical reflexivity” in the fiction of modern writers often critiqued for ethical failures: Mori Ōgai (1868-1922) and Akutagawa Ryūnosuke. The talk will then focus on the relevance of their work for the contemporary moment through analysis of a writer whose ethics continue to provoke debate: Murakami Haruki (1949--). In the end we find a startling continuity between the methods of Japan’s novel progenitors and some of the supposedly recent innovations of metamodernism as well as an original methodology for the further study of world literature.
11-01-2025 – The Odyssey, Music by Vân-Ánh Vanessa Võ, Blood Moon Orchestra, and Arneis Quartet
Saturday, November 1, 2025, 7:30 PM
Music by:
Vân-Ánh Vanessa Võ, Blood Moon Orchestra, and Arneis Quartet
Boston University Tsai Performance Center
685 Commonwealth Ave, Boston, MA 02215
OPEN and FREE to the public.
11-4-2025 – Learning from Japan: Expos Past, Present, and Future with Angus Lockyer
Tuesday, November 4, 2025
4 PM - 5:30 PM
121 Bay State Road, Boston MA
This summer saw crowds flocking to Expo 2025 on a reclaimed island in Osaka Bay. This may be a surprise, given its absence in the western media and the assumption among many that the age of expos is over. In this talk, we'll explore why expos are still a going concern. We'll start with a report from Osaka, then travel back in time, to understand how Japan got there, adopting the form of modern expos from the West in the 19th century, but also adapting it over the course of the 20th as a tool for development. Drawing on a recently-published book, the story will take us from early 18th-century exhibitions -- materia medica, exotic animals, animated puppets, and revealed deities -- through industry and empire, war and peace, technology and environment. We won't have time to look at all the 1,300-plus expos Japan has seen in the last 150 years. But we'll see enough to understand how Japan's use of them has served its own needs, and provided a model that continues to be adopted beyond its borders.
Angus Lockyer was educated in Dorset, Cambridge, Seattle, and California, and has taught Japanese, East Asian, and global history in North Carolina and London. Exhibitionist Japan: The Spectacle of Modern Development was published by Cambridge University Press earlier this year. Japan: A History in Objects, based on the collection of the British Museum, will come out from Thames and Hudson in early 2026. He currently lives in Rhode Island and teaches at RISD.
11-06-25 – The Backstage of Democracy: India’s Election Campaigns and the People Who Manage Them with Amogh Dhar Sharma
Thursday, November 6, 2025
4 PM - 5:30 PM
121 Bay State Road, Boston MA
Please register here.
