Autograph List
Opus | Work | Autograph | Fair Copy [autograph] |
Date on Autograph | Sketches | autograph format | notes | copy location |
Op. 1 | 3 piano trios | 1) D-B Mus. ms. autogr. Beethoven 28 “Fischof” ( Last 8 measures of No. 1/III Trio) | X | No. 1 I. A-Wgm A 11, Kafka IV. Kafka No. 2 I. Kafka, Fischof II. A-Wgm A 75 III. Fischof IV. Kafka, Fischof No. 3 I. Kafka II. RUS-Mcm F. 155 no. 4 III. Kafka IV. Kafka, Fischof, Private Collection |
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Op. 2 | 3 piano sonatas | X | X | No. 1 I. A-Wgm A 31,RUS-Mcm F. 155 no. 4, IV. Tonnelier collection No. 2 I. Fischof No. 3 I. Fischof, 21 III. Kafka, A-Wgm, A 31 |
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Op. 3 | String Trio in E flat | 1) F-Pc Ms 28. [incomplete, mvts. 1-2 and 4-5] 2) US-Wc ML96. B44 Case [mvt. 6, partial] 3) D-BNba, Sammlung H. C. Bodmer, HCB Bk 2 [partial] |
X | – | ||||
Op. 4 | String Quintet in E flat | X | X | II-IV. D-BNba, Slg. H. C. Bodmer, HCB Mh 63 | 1827 list may have referred to Op. 103 (Johnson, BSI) | |||
Op. 5 | 2 cello sonatas | X | X | No. 1 Kafka, Fischof No. 2 I-BGi, Kafka, Fischof, Private Collection |
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Op. 6 | Sonata for Piano Duet in D | X | X | Kafka | ||||
Op. 7 | Piano Sonata No. 4 in E flat | X | X | III. Kafka IV. Fischof |
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Op. 8 | Serenade for String Trio in D | X | X | Kafka | ||||
Op. 9 | 3 string trios | D-BNba, BH 59. [draft of the second trio of No. 1/ III (Hess 28)] | No.1 Kafka, Fischof, D-BNba, NE 91 No. 3 Fischof, D-BNba, NE 91[?], Kafka [?] |
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Op. 10 | 3 piano sonatas | X | X | No. 1 Fischof no. 2 Kafka No. 3 Kafka, Fischof |
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Op. 11 | Trio for Piano, Clarinet or Violin, & Cello in B flat | X | X | I: A-Wgm, A 66, Kafka II: Kafka |
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Op. 12 | 3 violin sonatas | X | X | No. 2 F-Pc Ms 83, Fischof No. 3 Fischof |
oblong, 16 st. | |||
Op. 13 | Piano Sonata No. 8 in c | X [except fragmentary excerpt in Landsberg 7] | X | III. Fischof, Kafka | ||||
Op. 14 | 2 piano sonatas | X | X | No. 1 I: Fischof, Kafka, Grasnick 1 III: Grasnick 1 |
oblong, 16 st. | |||
Op. 15 | Piano Concerto no. 1 in C | D-B Mus. ms. autogr. Beethoven 12 | X | April 2, 1800 | I: D-BNu, Slg. Andreas Velten; Kafka; US-NYpm II: Kafka; Private Collection; A-Wgm, A62 [?]; ‘Sommer 1800’ III: D-BNba, Slg. H. C. Bodmer, ‘Sommer 1800’ [+ cadenza] |
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Op. 16 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E flat | X | X | Mus. Times XXXIII, 651 | ||||
Op. 17 | Horn sonata in F | X | X | Nott. II, 379ff. | ||||
Op. 18 | 6 string quartets | X | X | Mus. Times XXXIII, 650 | ||||
Op. 19 | Piano Concerto no. 2 in B-flat | Berlin, StPK, Aut 13 | See Nott. II, 479ff/Mus. Times XXXIII, 524 | oblong, 16 st. | ||||
Op. 20 | Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello, Bass in E flat | (Berlin) Cracow | X | [Some sketches in Gransick 2] | oblong, 16 st. | (Schunemann) | ||
Op. 21 | Symphony No. 1 in C | X | See K-H, 52 | |||||
Op. 22 | Piano Sonata No. 11 in B flat | X | Berlin DSTB Aut. 23 (Stichvorlage) | Nott. II, 62 ff./Prodhomme/Mus.Times(1892) 397 | ||||
Op. 23 | Violin sonata No. 4 in a | X | Mikulicz/Nott. II, 236, Online | |||||
Op. 24 | Violin sonata No. 5 in F | Vienna, NB (except Finale) | Mikulicz/Nott. II, 230ff. | Oblong, 12 st. | ||||
Op. 25 | Serenade for Flute, Violin & Viola in D | X | ||||||
Op. 26 | Piano Sonata No. 12 in A flat | (Berlin) Cracow | Facsimile, 1894 | Nott. II, 236ff/Mikulicz/Prodhomme/also Add 29801 | oblong, 8 st. | Prieger Facs. (1894) | ||
Op. 27, No. 1 | Piano Sonata No. 13 in E flat | X | Nott. II, 249f | |||||
Op. 27, no. 2 | Piano Sonata No. 14 in c sharp | Bonn, BH SBH 526 | Facsimile, SBH 526 | See Schenker’s Facs. ed. | oblong, 8 st. | Schenker facs. (1921) | ||
Op. 28 | Piano Sonata No. 15 in D | Bonn, BH SBH 527 | [K-H. No sketches yet known] | oblong, 8 st. | ||||
Op. 29 | String Quintet in C | (Berlin) Cracow | [Stanford sketches not known to K-H] | oblong, 16 st. | Die Musik X/21, 1 Augustheft | |||
Op. 30, no. 1 | Violin sonata No. 5 in F | Berlin StPK | Vienna, Ges der M F(Kessler Sk. Book): Nott. [1865] | oblong, 16 st. | ||||
Op. 30, no. 2 | Violin sonata No. 6 in A | Bodmer | Film, SBH 528 | |||||
Op. 30, no. 3 | Violin sonata No. 8 in G | London, BL (facsimile) | ||||||
Op. 31 | Piano sonatas no. 16-18 | X | 31, III owned by Fuchs | Kessler + Wielhorsky/see Prodhomme | ||||
Op. 32 | An die Hoffnung | X | [Some sk in Leonore SkB] | |||||
Op. 33 | 7 Bagatelles | Bodmer SBH 529 | Landsberg Sk. Book/Nott. [1865] | oblong, 8 st. | Film 33 No 7 [3199.381.39.149(3)] | Isham | ||
Op. 34 | 6 Variations for Piano in F | Bonn (SBH 530) formerly Leipzig, Peters | Kessler, Wielhorsky SkB.(N65, Nhl) | |||||
Op. 35 | Eroica variations | Bodmer (SBH 531) | [?] | |||||
Op. 36 | Symphony No. 2 in D | X | N65; Mikulicz | |||||
Op. 37 | Piano Concerto no. 3 in c | Berlin Dtsb, since 1977 | Mus. Times XXXIII, 525/Müller-Reuter | |||||
Op. 38 | Trio for Piano, Clarinet or Violin, & Cello in E flat | X (except Violin part) Bodmer | ||||||
Op. 39 | 2 preludes through the 12 major keys | X | ||||||
Op. 40 | Romance No. 1 for Violin & Orchestra in G | M. Hinrichsen (USA) Bonn (SBH 533) | [K-H: no sketches known] | Oblong, 12 st. | ||||
Op. 41 | Serenade for Piano & Flute in D | (Not by Beethoven) | ||||||
Op. 42 | Notturno for Piano & Viola in D | (Not by Beethoven) | ||||||
Op. 43 | The Creatures of Prometheus | X | copy complete except Nos 4+5: Vienna, NB | Landsberg: Nott. II, 246ff/Mikulicz | ||||
Op. 44 | 14 Variations for Piano Trio in E flat | X | Nott. I, 7/T-D-R II^3, 410 | |||||
Op. 45 | 3 Marches for Piano Duet | X | N80, p.55f | |||||
Op. 46 | Adelaide | X | Seyfried [=Bodmer]: 1 leaf | |||||
Op. 47, no. 1 | Violin sonata No. 9 in A | Some pages of 1st mvt known | Bonn, St. Louis (Feindberg coll.)?? | Nohl/N65 | ||||
Op. 48 | 6 Gellert songs | Nos 5+6: Bodmer / Others partially preserved | Nott. II, 479 | Oblong, 12 st. | ||||
Op. 49 | 2 easy piano sonatas | X (except fragment: see K.H., 116) | Mus. Times XXXIII, 461 | |||||
Op. 50 | Romance No. 2 for Violin & Orchestra in F | Washington, LC | oblong, 16 st. | |||||
Op. 51, no. 1 | Rondo for Piano in C | X | X | |||||
Op. 51, no. 2 | Rondo for Piano in G | X | Berlin | Nott. II, 478 | ||||
Op. 52 | 8 songs | 3): Vienna, Ges der MF | for No. 3: Mus. Times XXXIII, 591 | |||||
Op. 53 | Piano Sonata No. 21 in C | Bodmer (SBH 537) | N 1880, p. 59-66/Prodhomme 155-161 | oblong, 8 st. | Facs. Beethoven-Haus (Weise) 1965 | |||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
Op. 54 | Piano Sonata No. 22 in F | X | Nott. II, 416-418 | |||||
Op. 55 | Symphony No. 3 in E flat | X | No 1880 (Eroica Sk.B.)/see Lorenz in ZfMV VII | |||||
Op. 56 | Triple concerto | X | N 1880 / Nott. II, 418 | Oblong, 12 st. | ||||
Op. 57 | Piano Sonata No. 23 in F | Paris Conservatoire | Nott. II, 436ff / see Tiersot in Rev. De Musicologie May 1927 | Facs: Paris, 1927 (repr.) | ||||
Op. 58 | Piano Concerto no. 4 in G | X (?) K-H: Fundort nicht ermittelt | N 80, 69 | Facs. (Scolar Press, ed. Tyson) forthcoming | ||||
Op. 59, no. 1 | String Quartet No. 7 in F | Berlin | Nott. II, 82-90 (Ges der MF) | Oblong, 12 st. | ||||
Op. 59, no. 2 | String Quartet No. 8 in e | Berlin | Nott. II, 82-90 (Ges der MF) | Oblong, 12 st. | ||||
Op. 59, no. 3 | String Quartet No. 9 in C | Bonn, BH (Film) | Nott. II, 82-90 (Ges der MF) | oblong, 16 st. | ||||
Op. 60 | Symphony No. 4 in B flat | Berlin (StPK Mend. 12) | [No sketches evidently known] | Oblong, 12 st. | ||||
Op. 61 | Violin Concerto in D | Vienna, NB | Nott. II, 532ff./See Jonas in ZfMW xiii | oblong, 16 st. | ||||
Op. 62 | Coriolan overture | Bonn, BH | [K-H: no sketches known] | oblong, 16 st. | Facs. (Fall 1978) | |||
Op. 63 | Piano Trio in E flat | (Not by Beethoven) | ||||||
Op. 64 | Cello sonata in E flat | (Not by Beethoven) | ||||||
Op. 65 | Ah! Perfido | X (fragmentary. See K-H, 154) | Nott. II, 222/Müller-Reuter/Kafka Skb. | |||||
Op. 66 | 12 Variations for Piano & Cello in F | X | ||||||
Op. 67 | Symphony No. 5 in c | Berlin StPK (mend. 8) | Facs. 1941 | Nott. II, 10f, 62-62/Nott II, 528/N80, p. 70 | oblong, 16 st. | Op 67: New facs. by R. Elvers, announced in Bärenreiter Libri Novi hist 38 (June ’78) @ DM 740 Facs 1941 | ||
Op. 68 | Symphony No. 6 | Bonn (SBH 549) | Copy (Stichvorlage) Bonn | Nott. II, 369ff; Mus. Times XXXIV, 14 | Oblong, 12 + 16 st. | |||
Op. 69 | Cello sonata no. 3 | 1st mvt:) Vienna, Family Wittgenstern[Salzer] Bonn BH | Copy Lost | oblong, 16 st. | Music Forum II + Facs. 1970 | |||
Op. 70, no. 1 | Piano Trio in D | Amerikanischer Privatbesitz (Cary) NY Morgan | Oblong, 14 st. | |||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
Op. 70, no. 2 | Piano Trio in E flat | Berlin StPK, Art. 175 | [Sketches in London, BL Add 31766] | Oblong, 12 + 14 st. | ||||
Op. 71 | Sextet for Clarinets, Horns & Bassoons in E flat | X | Kafka-Skb.: 3rd + 4th mvts./see Mus Times XXXIV, 651 | FACS: Gott welch’ Dunkel hier (ed. KH Köhter, 1976) | ||||
Op. 72 | Fidelio | see K-H on various autographs, Bonn [Marsch] | Nott. II, 408-459 | A | ||||
Op. 73 | Piano concerto No. 5 in E flat | Berlin, DSTB, Aut. 15, NY Morgan [sketch leaf 1 and 2] | Nott. II, 505/Heyen Kat. Iv, 168f. | oblong, 16 st. | ||||
Op. 74 | String Quartet No. 10 in E flat | (Berlin) Cracow | oblong, 16 st. | |||||
Op. 75 | 6 songs | see K-H on autographs, Bonn [song 2] NY Morgan [song 2] | (?) | |||||
Op. 76 | 6 Variations for Piano in D | X (formerly Breitkopf & Härtel?) | Nott. II, 272f. | |||||
Op. 77 | Fantasia for Piano in g | Bodmer | oblong, 8 st. | |||||
Op. 78 | Piano Sonata No. 24 in F sharp | Bodmer | [Sketches apparently not known] | Small oblong, 8 st. | FACS. | |||
Op. 79 | Piano Sonata No. 25 in G | Bodmer (Film) | Nott. II, 269 | 8 (Format?) | ||||
Op. 80 | Choral Fantasy) | X [vocal parts score] | Nott. II, 495ff | |||||
Op. 81, a) | Piano Sonata No. 26 in E flat | 1st mvt) Vienna, Ges. der MF | Nott. II, 96ff | oblong, 8 st. | ||||
Op. 81, b) | Sextet for Horns, Violins, Viola & Cello in E flat | X | Nott. II, 535ff | |||||
Op. 82 | 4 Arietten and a duet | Paris, Cons. [song 1], Bodmer [song 4] | ||||||
Op. 83, no. 1 | 3 songs | Paris, Cons., Weimar, Goethe Archiv. [song 1] | Nott. II, 281, 283, 286f. | |||||
Op. 83, no. 2 | Sensucht | 2) | Nott. II, 281, 283, 286f. | |||||
Op. 84 | Egmont overture | (See K-H) Nos 1-6 Berlin, StPK | See G. Kinsky book on MSS (Vienna, 1933) / Sketches Landsberg | Oblong, 12 + 16 st. | ||||
Op. 85 | Christ on the Mount of Olives | Berlin StPK- (see Mühlenweg diss.) | Wielhorsky (Nohl, p. 95f) | Oblong, 16 st. (mostly) | ||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
Op. 86 | Mass in C | Bonn (Kyrie-Gloria) – (see McGrann diss. + ed.) | Paris, Cons. MS 60/2: see NBJ VI, 104f. | Oblong, 16 st. | ||||
Op. 87 | Trio for 2 Oboes & English Horn in C | Berlin, DStB, Aut. 15 | Oblong, 16 st. | |||||
Op. 88 | Das Gluck der Freundschaft | X | N80, p. 56 | |||||
Op. 89 | Polonaise for Piano in C | X | Nott. II, 310f. | |||||
Op. 90 | Piano Sonata No. 27 in e | Bonn, London | Nott. II, 298, 366ff. | 12 (Format ?) | ||||
Op. 91 | Wellington’s Victory | Berlin, DStB, Aut. 15 | Oblong, 20 st. | |||||
Op. 92 | Symphony No. 7 in A | Berlin Mend. NY Morgan [sketches] | Cracow | Nott. II, 111 (also II, 101ff. + 288ff.) | Oblong, 12 st. | |||
Op. 93 | Symphony No. 8 in F | Berlin, StPK [mvts 1, 2], Bonn [end of mvt 1], Cracow [mvt 3], Berlin, DSTB [mvt. 4] | Nott. II, 111ff | Hochformat, 14 [mvt 1, 4], Oblong, 12 st.[mvt 2], Oblong, 12 st. [mvt 4] | ||||
Op. 94 | An die Hoffnung | Harvard Univ. Library | Nott. II, 119ff. See Jonas in Acta XXXVII (1965) | Hochformat, 20 | (Jonas in Acta); FACS. (Staehelin/Henle) 1977 | |||
Op. 95 | String Quartet No. 11 in F | Vienna, Nat. Bibl., NY Morgan [sketches] | Nott. II, 278ff | Oblong, 10 st. | Büchen, facs. of p.1 | |||
Op. 96 | Violin Sonata No. 10 in G | NY Morgan | Nott. I, 26-30 (excerpt 1st mvt.) See Jonas in Acta XXXVII (1965) | Hochformat, 20 | (Jonas in Acta); FACS. (Staehelin/Henle) 1977 | |||
Op. 97 | Piano Trio in B flat | Berlin (Cracow) | Nott. II, 283ff./also see K-H, 272 | Oblong, 16 st. [mvt 1, 2] Hochformat, 20 [mvt 3, 4] | ||||
Op. 98 | An die ferne Geliebte | Bonn | Nott. II, 334ff. | Oblong, 12 st. | Bonn FACS. (+ film) | |||
Op. 99 | Der Mann von Wort | Bodmer | Nott. II, 346f | |||||
Op. 100 | Merkenstein | X | Nott. II, 308f. | Oblong, 16 st. | ||||
Op. 101 | Piano Sonata No. 28 in A | Germany, Private ownership | Nott. II, 340ff., 552ff./also VfMW IX, 163ff. | |||||
Op. 102, no. 1 | Cello Sonata No. 4 in C | Berlin StPK (both) (Film) | Nott. II, 316, 318, 325f; also Skb. in Koch coll. | Oblong, 16 st. | ||||
Op. 102, no. 2 | ello Sonata No. 5 in D | Berlin StPK (both) (Film) | Nott. II, 316, 318, 325f; also Skb. in Koch coll. | Oblong, 16 st. | ||||
Op. 103 | Octet for Oboes, Clarinets, Horns & Bassoons in E flat | Berlin | Nott. II, 517f. | Oblong, 16 st. | ||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
Op. 104 | String Quintet in c | X | ||||||
Op. 105 | 6 Variations for Piano & Flute or Violin | London, BL. Egerton 2327 | Oblong, 16 st. | |||||
Op. 106 | Piano Sonata No. 29 in B flat | X (or not known) NY Morgan [sketches], Washington LC [sketches] | Nott. II, Articles XVI , XXXVI, plus other sketches | |||||
Op. 107 | 10 Variations for Piano & Flute or Violin | London, BL Egerton 2327/ Bonn [6 and 7]) | ||||||
Op. 108 | 25 Scottish songs | (See K-H) | ||||||
Op. 109 | Piano Sonata No. 30 in E | Washington, LC [corrections] | Nott. II, 460f./[Forte] | oblong, 8 st. | Facs. (R.O. Lehman Collection) (notes by Jonas) | |||
Op. 110 | Piano Sonata No. 31 in A flat | Berlin StPK, Bodmer [mvts 3, 4] (Films in Bonn) | Nott. II, 465ff. / Prodhomme | oblong, 8 st. | Facs. (Komma) | |||
Op. 111 | Piano Sonata No. 32 in c | [all]) Berlin, DstB, Bonn [mvt. 1] | Nott. II, 468ff.; N60 | 1st, 2nd Autogr: oblong, 8 st. | Facs. Drei Masken Verlag (1922 + 4 reprints incl. Dover), C. F.Peters (1930, 1960), DDR (Leipzig, 1952) | Drei Masken Verlag 1922 | ||
Op. 112 | Calm Sea & Prosperous Voyage | X | Sketches in Bodmer coll. | |||||
Op. 113 | The Ruins of Athens | Berlin, DStB, Aut. 15 | Sketches in Add. 29801 (Pt. I) | Hochformat: originally 18, now 14 or 15 | (!) | |||
Op. 114 | March for Orchestra & Chorus | Berlin (lost since WWII) | Hochformat, 18 | |||||
Op. 115 | Overture in C | Vienna, N B | Nott. I, 37ff; Kap. XIV, II, 14ff, Kap. II | Oblong, 14 st. | ||||
Op. 116 | Tremate, empi, tremate | X | Early copies: Vancouver Univ. of Brit. Columbia Music Library (scan 1979) | N65 | ||||
Op. 117 | King Stephen | Berlin, DstB overture = | Hochformat, 14 | |||||
Op. 118 | Elegiac Song | X | Nott. II, 299 | |||||
Op. 119 | 11 Bagatelles | Berlin tc (see K-H), Bonn [#8 and #9 frag.] | Nott. II, 146 + 155 / N65, p. 26 | oblong, 8 st. | ||||
Op. 120 | 33 Diabelli variations | Koch [now Germany private coll.] Bonn BH | Nott. II, 568ff.; 6pp. In Paris Cons.; Wittgenstein | oblong, 8 st. | ||||
Op. 121, a) | 10 Variations for Piano Trio in G | a) Bonn | SBH 567 | Oblong, 12 st. | ||||
Op. 121, b) | Opferlied | b) Vienna, Stdt bibl. | I film of Pfte. reduction (aut) – 39.57 | Oblong, 12 st. | ||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
Op. 122 | Bundeslied | Munich, Stb. | I Film of Aut. 3199.371.39.40 StPK | Nott. II, 207 + 5 + 2f. | Grosse Hochformat, 23 | |||
Op. 123 | Missa Solemnis | Berlin (except Gloria) | Nott. II, 148ff. + 460ff. | Kyrie: Grosse Hochformat, 20 / Rest: Large oblong, 20 st. | ||||
Op. 124 | The Consecration of the House overture | Wien, Stadtbibl. | Nott. II, 404ff.; Schindler II, 5ff, TDR IV, 295ff. | Oblong, 16 st | ||||
Op. 125, 1-3 mvt | Symphony No. 9 in d | Berlin [mvt. 1, 2, 3, 4] racow), Bodmer [mvt. 2 coda] [trombone parts] | Nott. I, 41ff.; Nott. II, 157ff. | Oblong, 16 st. [mvt. 1-3], Oblong, 15 st. [mvt 4], Hochformat 23 [for vocal material] | ||||
Op. 126 | 6 Bagatelles | Bodmer | Bonn, SBH 571 | Nott. II, 193ff. | Oblong, 12 st. | |||
Op. 127 | String Quartet No. 12 in E flat | Divided among Berlin, Stockholm, Bonn [Finale]. Scherzo now at Julliard also fragment ms | Nott. II, 210ff., 573ff. | Oblong, 12 st. | ||||
Op. 128 | Der Kuß | formerly Salzburg; Paris Cons. | Nott. II, 477 | |||||
Op. 129 | Rondo A Capriccio for Piano in G | Noble (Providence, R.I.) | See Hertzmann | Oblong, 16 st. | ||||
Op. 130 | String Quartet No. 13 in B flat | Divided among Berlin, Washington, Paris; private hands | Nott. II, 1-14, Vienna, Ges d. MF; Roda; Moscow | oblong, mostly 10 | ||||
Op. 131 | String Quartet No. 14 in c sharp | Berlin (Cracow) Washington LC [sketches] | Nott. I, 54ff.; II 7-18 | Oblong, 10 st. | ||||
Op. 132 | String Quartet No. 15 in a | Berlin | Koblenz; Berlin / See Schmitz in ZfMW VI, 659 | Oblong, 10 st. | ||||
Op. 133 | Große Fuge | (Berlin) Cracow | I (2 films) | Nott. II, 550.ff / See also op. 130 | Oblong, 10 st. | |||
Op. 134 | Große Fuge for Piano Four Hand | (owner unknown) Bonn [fragment] | Surfaced in 2005 (Seminary near Philadelphia.) | |||||
Op. 135 | String Quartet No. 16 in F | Divided among Wittgenstein; Brussels; Berlin, Bodmer [parts and mvt 1] | Sold Dec 1, 2005 to an anonymous buyer – now at Juilliard | Berlin (79pp.); cf. also Paris Cons. MSS 62, 66 | Oblong, 10 st. | Op 135: Bonn. Aut. Parts (Film) | ||
Op. 136 | Der glorreiche Augenblick | Berlin | Nott. II, 307ff. (cf. Die Musik XI/1,2) | |||||
Op. 137 | Fugue for String Quintet in D | Vienna, Ges der MF / Paris Cons. | Announced in FACS: Cadenzas to Pfte Concertos (ed. W. Hess) (1949) | |||||
Op. 138 | Leonore overture no. 1 | see op. 72 | ||||||
WoO 1, 1) | Ritterballet 1790/91 | Score: Berlin | ||||||
WoO 1, 2) | Ritterballet 1790/91 | Pfte reduction: Bonn | ||||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 2, a) | Triumphmarch for Tarpeja 1813 | X | ||||||
WoO 2, b) | Entr’acte for Tarpeja | Berlin | ||||||
WoO 3 | Gratulations – Menuet 1822 | Berlin | ||||||
WoO 4 | Concerto for Pfte, Eb, 1784 | X | Corr. Copy, Berlin, Artaria 125[I – .39.61] | |||||
WoO 5 | Unfinished Concerto for Violin c. 1790-92 | Vienna, Gd Mf | Publ. By Schiedermair | |||||
WoO 6 | Rondo to Pfte + Orch. c. 1795 | Vienna, Gd Mf | ||||||
WoO 7 | Twelve Menuets, Orch. 1795 | X | Corr. copy: Berlin | |||||
WoO 8 | Twelve Deutsche Tänze 1795 | X | Early copy: Berlin | |||||
WoO 9 | Six Minuets for Vln + Bass | X | Early copy: Berlin | |||||
WoO 10 | Six Minuets for Orch. 1795 | X | ||||||
WoO 11 | 7 Ländlerische Tänze 1798 | X | ||||||
WoO 12 | 12 Minuets for Orch. 1799 | X | Early copies (see K-H) | |||||
WoO 13 | 12 Deutsche Tänze 1796? | X | ||||||
WoO 14 | 12 Contretänze for Orch. 1800-01 | Berlin, Artaria 12 | ||||||
WoO 15 | 6 Ländlerische Tänze 1802 | X | Early copy: Vienna, GdMf | |||||
WoO 16 | 12 Ecossaisen for Orch. | X (Lost) | Early copy: Leipzig, Thomasschule | |||||
WoO 17 | 11 Tänze for 7 Instr. 1819 | X | ||||||
WoO 18 | March (F) for Military Band 1809 | Vienna Archive of German Knights | 1809 | Apparently 3 autograph scores and an aut. Pfte reduction (see KH) | ||||
WoO 19 | March (F) for Military Band 1809 | (Ibid) | 3 June 1810 in Baden near Vienna | Also 3 autograph scores | ||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 20 | March (C) for Military Band 1809/10? | Aut. formerly owned by Steger | ||||||
WoO 21 | Polonaise for Mil. Band 1810 | Paris | 1810 a Baden | |||||
WoO 22 | Ecossaise for Mil. Band 1810 | Wilderswil (private) | ||||||
WoO 23 | Ecossaise for Mil. Band c. 1810 | X | ||||||
WoO 24 | March for Military Band 3 June 1816 | Berlin | 3 June 1816 | Sk in Scheide | ||||
WoO 25 | Rondino f. 8 Winds 1792 | Bonn | Facs of p 1 In Unger, BsHs | |||||
WoO 26 | Duo f. 2 Flutes 1792 | Berlin | 23 Aug. 1792 Abends 12 | |||||
WoO 27 | 3 Duos for Clar. + Bassoon c. 1800? | X | No sketches known | |||||
WoO 28 | Var. f. 2 Oboes + Eng. Horn 1796/7 | Berlin, Artaria MS 149 | ||||||
WoO 29 | March for 2 Clar., Hrn., Fag | Berlin Grasnick 25 | ||||||
WoO 30 | 3 Equali f. 4 Trb. 1812 | Berlin | 2 Nov. 1812 | |||||
WoO 31 | Organ Fugue (D) 2 v. 1783 | X | ||||||
WoO 32 | Duo for Viola + Vcl | London, Add 29801 | ||||||
WoO 33 | 5 pieces für Flötenuhr | Berlin, Grasnick (Nos 1 – 3) | ||||||
WoO 34 | Kleines Stücke für 2 Vlns. 1822 | Paris, Album piece | 29 Apr. 1822 | |||||
WoO 35 | Kleines Stücke für 2 Vlns. 1825 | Cambridge, Harvard U. Library, Album piece | 3 Aug. 1825 | |||||
WoO 36 | Three Pfte Quartets 1785 | Berlin | 1785 | |||||
WoO 37 | Trio f. Klavier, Fl., Bassoon c. 1786-90 | Berlin | ||||||
WoO 38 | Trio (Eb) Pfte, Vln, Vcl | Formerly owned by Schindler, later lost | ||||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 39 | Trio (B) in 1 mvt. 1812 | Bonn | 26 June 1812 | Richard Kramer pointed out to me that this is just before 3 leaves for Teplitz | ||||
WoO 40 | Var. f. Klav + Vln Se vuol ballare 1792/93 | X | Publ. 1793 | |||||
WoO 41 | Rondo f. Klav + Vla (G) 1793 or 94 | X | Early copy in Simrock archive | |||||
WoO 42 | 6 Deutsche Tänze 1795 or 96 | X | ||||||
WoO 43, no. 1 | 2 Stücke f. Mandolin + Hps. | London BL, Add 29801, f. 87 | ||||||
WoO 42, no. 2a | 2 Stücke f. Mandolin + Hps. | Berlin, Grasnick 25 | Isham films = 3199.371.39.46/ /3199.371.39.50 | |||||
WoO 42, no. 2b | 2 Stücke f. Mandolin + Hps. | Friedland (CZ) – altered version | ||||||
WoO 44 | Sonatine f. Mandolin + Hps. | Friedland (CZ) – altered version | 1786 | |||||
WoO 45 | J. Maccabeus Var. f Vcl. + Klav. c. 1796 | Vienna , GdMf | Publ. 1797 | |||||
WoO 46 | Eb Mozart Var. f. Vcl. + Klav. c. 1801? | Bonn | ||||||
WoO 47 | 3 Klav. Sonatas 1782/83 | X | Publ. 1783 | |||||
WoO 48 | Rondo (C) f. Klav. 1783 | X | Publ. 1783 | |||||
WoO 49 | Rondo (A) f. Klav. 1783 | X | Publ. 1784 | |||||
WoO 50 | 2 Mvts of a Sonatine f. Klav. | Koblenz | Authenticity in question | |||||
WoO 51 | Leichte Klav. Sonate (C) 1791-2 | Koblenz | for Eleonore v. Breuning | |||||
WoO 52 | Bagatelle f. Klav. (C) 1797 | Bonn (formerly in hands of Artaria, then J.N. Kafka) | ||||||
WoO 53 | Allegretto f. Klav (C) c. 1796 | Berlin, Grasnick | ||||||
WoO 54 | Klav. Stück Lustig-traurig (1790’s) | Berlin, Grasnick | ||||||
WoO 55 | Praeludium (f) f. Klav. c. 1803? | X | Publ. 1805 | |||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 56 | Bagatelle (C) f. Klav 1803-04 | Paris | Sk in Eroica Skb | |||||
WoO 57 | Andante f. Klav (F) 1803-04 | X | Orig = Op. 53 II/Publ separately 1805 | |||||
WoO 58, no. 1 | 2 cadenzas f. Mozart Klav. Concerto in d | Bonn | ||||||
WoO 58, no. 2 | 2 cadenzas f. Mozart Klav. Concerto in d | London BL, Add. 29803 | ||||||
WoO 59 | Klav. Stück (Für Elise) (a) 1810 | Formerly owned by Therese Malfatti, later lost | Aut. was dated 27 April [1810]/see M. Unger, Kn. Handschrift, 28ff. | |||||
WoO 60 | Kl. stück (Bb) 1818 | Paris Musee Mickiewicz | Aut. dated 14 Aug 1818 | |||||
WoO 61 | Kl. stück (b) 1821 | Vienna, private coll. | Aut. dated 18 Feb 1821 for Ferd. Piringer) | |||||
WoO 61a | Kl. Stück (g) 1825 | Syracuse NY, L. Krasner [lost?] [formerly owned by Diabelli] | Aut. dated 27 Sept 1825 | |||||
WoO 62 | Kl. stück (C) Nov 1826 | X | from unfinished Quintet of ’26 | |||||
WoO 63 | Dressler Variations 1782 | X | Publ. 1782 | |||||
WoO 64 | 6 Leichte Var. (F) c. 1790 | Bonn, Bodmer | Publ. 1798 | |||||
WoO 65 | Righini Variations 1790 | X | Publ. 1791 + 1802 | |||||
WoO 66 | 13 var. f. Klav. On Dittersdorf Arietta 1792 | X | Publ. 1793 (to continue) | |||||
WoO 67 | 8 Var. on Theme by Waldstein ballet Four Hands | Paris, Cons. (Malherbe) | 1794 | |||||
WoO 68 | 12 Var. on Haibel Menuet | X | 1795 | |||||
WoO 69 | 9 Var. on Paisiello Theme | X | 1795 | |||||
WoO 70 | 6 Var. on Paisiello Theme | X | 1795 (Wegeler says written in 1 night) | |||||
WoO 71 | 12 Var. on Wranitsky ballet Theme | X | 1796 | |||||
WoO 72 | 8 Var. on Grétry Theme | X | 1796 | |||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 73 | 10 Var. on Salieri Theme | X | 1799 | |||||
WoO 74 | Ach danke dein Lied + 6 Variations | Berlin, Grasnick 23 | 1799 + 1803/4 (Publ.1805) | |||||
WoO 75 | 7 Var. on P.v. Winter Theme | X | 1799 | |||||
WoO 76 | 6 Var. on Süssmayr Theme | X | 1799 | |||||
WoO 77 | 6 Var. on orginal theme | X | 1800 | |||||
WoO 78 | 7 var. on God Save the King | X | 1803 | |||||
WoO 79 | 5 var. on Rule Britannia | X | 1803 | |||||
WoO 80 | 32 Var. in c | X | 1806 NII, 90 | |||||
WoO 81 | Allemande (A) for Pfte | Bonn (quasi-sketch) | 1800? // see Bonn publ. 1924 | |||||
WoO 82 | Menuet for Pfte (Eb) | X | c. 1803 or earlier? (Publ. 1805) | |||||
WoO 83 | 6 Ecossaires (all in Eb) | X | c. 1806? | |||||
WoO 84 | Waltz for Pfte (Eb) | Bonn Mh 24 | 21 Nov. 1824 | 1824 | ||||
WoO 85 | Waltz for Pfte (D) | Bonn, Mh 24 | 14 Nov. 1824 | 1825 | ||||
WoO 86 | Ecossaire for Pfte (Eb) | Bonn, Mh 24 | 14 Nov 1825 | 1825 | ||||
WoO 87 | Cantata for Joseph II’s death | X | 1790 // 2 pp of Skb in Vienna | |||||
WoO 88 | Cantata for Leopold II | X | 1790 | |||||
WoO 89 | Prüfung des Kussens Aria | Berlin | 1790 | |||||
WoO 90 | Mit Mädeln sich vertragen Aria | Berlin | 1790 | |||||
WoO 91 | 2 Arias for Umlauf Singspiel | X | 1796 | |||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 92 | Primo Amore Scene + Aria | X | 1795-1800 (KHV) | |||||
WoO 92a | Non, non turbati Se + Aria (Metastasio) | Berlin | ||||||
WoO 93 | Nei giorni tuoi felici | Berlin | 1802-03/Wielhorzky skb/ Tyson article | |||||
WoO 94 | Germania from Treitschkes Singspiel | 2 fragments of Aut known | 1814 | |||||
WoO 95 | Chorus for Princes (Congress of Vienna) | Vienna, GdMf | 3 Sept. 1814 | 1814 | ||||
WoO 96 | March for Leonore Prohaska | See KHV for Nos 1, 2 No. 3 + 4 now J. Hebronn | 1815 | |||||
WoO 97 | Es ist vollbracht Aria | Berlin | 1815 | |||||
WoO 98 | Chorus from Weihe des Hauses | Berlin | 1822 | |||||
WoO 99 | 12 Italian part-songs | Autographs in Berlin Vienna see KHV | Salieri study period | |||||
WoO 100 | Lof auf den Dicken | Bonn | 1801 Joke were for Schuppanzigh 3 solo v. + chorus | |||||
WoO 101 | Graf, Graf | In letter to Zmeskall | 1802 Joke = 3v. | |||||
WoO 102 | Abschiedsgesang | Paris, Cons. (Malherbe) | 1814 on humorous text by Seyfried | |||||
WoO 103 | Un lieto brindisi | X | 1814 4 v. + pfte | |||||
WoO 104 | Gesang der Mönche (Schiller) | Koch coll | 3 May 1817 | 1817 for Kandler | ||||
WoO 105 | Hochzeitslied (2 versions) | 2 Autographs known | 4 Jan 1819 | 1819 for Giannatasio del Rio | ||||
WoO 106 | Lobkowitz Cantata | Aut whereabouts unknown | 12 April 1823 | 1823 For Lobkowitz birthday | ||||
WoO 107 | Schilderung eines Mädchens | X | 1783 | |||||
WoO 108 | An einen Säugling | X | 1783 | |||||
WoO 109 | Trinklied | on Kafka paper | 1787 | |||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 110 | Elegie auf den Tod eines Pudels | X | ||||||
WoO 111 | Punschlied | Berlin | ||||||
WoO 112 | An Laura | Bonn, BH | ||||||
WoO 113 | Klage | fragments Vienna, Ges. der MF | ||||||
WoO 114 | Selbstgespräch | Berlin | ||||||
WoO 115 | An Minna | Vienna, Ges. der MF | ||||||
WoO 116 | Que le temps me dure | Berlin | ||||||
WoO 117 | Der freie Mann | draft London BL | ||||||
WoO 118 | Seufzer eines Ungeliebten & Gegenliebe | X | ||||||
WoO 119 | O care selve | Berlin | ||||||
WoO 120 | Man strebt, die Flamme zu verhehlen | Vienna, Ges. der MF | ||||||
WoO 121 | Abschiedsgesang an Wiens Bürger | X | ||||||
WoO 122 | Kriegslied der Osterreicher | X | ||||||
WoO 123 | Zärtliche Liebe | Vienna, Ges. der MF | ||||||
WoO 124 | La partenza | X | ||||||
WoO 125 | La tiranna | X | ||||||
WoO 126 | Opferlied | X | ||||||
WoO 127 | Neue Liebe, neues Leben | X | ||||||
WoO 128 | Plaisir d’aimer | 3 drafts Berlin Grasnick 1 | ||||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 129 | Der Wachtelschlag | Bodmer | ||||||
WoO 130 | Gedenke mein | X | ||||||
WoO 131 | Erlkönig | drafts: Paris Cons. (Malherbe), Vienna, Ges. der MF | Nott. II, 146 | |||||
WoO 132 | Als die Geliebte sich trennen wollte | X | ||||||
WoO 133 | In questa tomba oscura | Stanford CA, Heidelberg Lichtenberger coll. | ||||||
WoO 134 | Sehnsucht | Bodmer | ||||||
WoO 135 | Die laute Klage | Berlin, Vienna, Ges. der MF | ||||||
WoO 136 | Andenken | X | ||||||
WoO 137 | Lied aus der Ferne | London, BL | ||||||
WoO 138 | Der Jüngling in der Fremde | Washington, LC | ||||||
WoO 139 | Der Liebende | Berlin | ||||||
WoO 140 | An die Geliebte | Paris Cons. [version 1], Vienna Ges. der MF [version 2] | ||||||
WoO 141 | Der Gesang der Nachtigall | Berlin | ||||||
WoO 142 | Der Bardengeist | X | ||||||
WoO 143 | Des Kriegers Abschied | X | ||||||
WoO 144 | Merkenstein | X | ||||||
WoO 145 | Das Geheimnis | X | ||||||
WoO 146 | Sehnsucht | Berlin | ||||||
WoO 147 | Ruf vom Berge | X | ||||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 148 | So oder so | X | ||||||
WoO 149 | Resignation | X | ||||||
WoO 150 | Abendlied unter’m gestirnten Himmel | Vienna, NB | 4 March 1820 | |||||
WoO 151 | Der edle Mensch sei hülfreich und gut | Vienna, Ges. der MF | 20 Jan. 1823 | |||||
WoO 152 | 25 Irish songs | Berlin [10 songs], Paris Cons. [6 songs] | ||||||
WoO 153 | 20 Irish songs | Berlin [9 songs], Paris Cons. [songs 11 and 19], Wildegg (Koch coll.) [song 6] | ||||||
WoO 154 | 12 Irish songs | Berlin [complete], Paris Cons. [2nd version of song 2] | ||||||
WoO 155 | 26 Welsh songs | Berlin [10 songs], Paris Cons. [song 15], Wildegg (Koch coll.) [song 25] | ||||||
WoO 156 | 12 Scottish songs | Berlin [4 songs], Wildegg (Koch coll.) [song 6] | ||||||
WoO 157 | 12 assorted folk songs | Berlin | May 1815 | |||||
WoO 158 | various folk songs | Berlin [12 songs] Bonn BH [12 songs] | ||||||
WoO 159 | Im Arm der Liebe ruht sich’s wohl | Vienna, Ges. der MF | ||||||
WoO 160 | Two Canons | Vienna, Ges. der MF | ||||||
WoO 161 | Ewig dein | London (Joseph Street) [lost], Bodmer | ||||||
WoO 162 | Ta ta ta, lieber Mälzel | X | ||||||
WoO 163 | Kurz ist der Schmerz | X | 23 Nov. 1813 | |||||
WoO 164 | Freundschaft ist die Quelle wahrer Glückseligkeit | Closter NJ (Muller coll.), Bodmer | 20 Sept. 1820 | |||||
WoO 165 | Glück zum neuen Jahr! | X | 1 Jan. 1815 | |||||
WoO 166 | Kurz ist der Schmerz | X | 3 March 1815 | |||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 167 | Brauchle, Linke | Berlin | ||||||
WoO 168 | Das Schweigen & Das Reden | Vienna, Ges. der MF | 24 Jan. 1816 | |||||
WoO 169 | Ich küße Sie, drücke Sie an mein Herz | Berlin (Varnhagen coll.) | 6 Jan. 1816 | |||||
WoO 170 | Ars longa, vita brevis | X | 4 April 1816 | |||||
WoO 171 | Glück fehl’ dir vor allem! | X | ||||||
WoO 172 | Ich bitt’ dich, schreib’ mir die Es-Scala auf | X | ||||||
WoO 173 | Hol’ euch der Teufel! B’hüt euch Gott! | X | ||||||
WoO 174 | Glaube und hoffe | Vienna (Wittgenstein coll.), Bodmer | 21 Sept. 1819 | |||||
WoO 175 | Sankt Petrus war ein Fels/ Bernardus war ein Sankt | X | ||||||
WoO 176 | Glück zum neuen Jahr! | Paris, Cons. (Malherbe) | 31 Dec. 1819 | |||||
WoO 177 | Bester Magistrat, Ihr friert; | Bodmer | ||||||
WoO 178 | Signor Abate | X | ||||||
WoO 179 | Seiner Kaiserlichen Hoheit…alles Gute, alles Schöne | Vienna, Ges. der MF | 1 Jan. 1820 | |||||
WoO 180 | Hoffmann, sei ja kein Hofmann | Bodmer | ||||||
WoO 181 | 3 canons | Berlin (Sketchbook for Missa solemnis) | Nott. II, 152 | |||||
WoO 182 | O Tobias! | Bonn, BH | 10 Sept. 1821 | |||||
WoO 183 | Bester Herr Graf, Sie sind ein Schaf | Berlin | 20 Feb. 1823 [Schindler note] | |||||
WoO 184 | Falstafferel, lass dich sehen! | Basel (Geigy-Hagenbach coll.) | 26 April 1823 | |||||
WoO 185 | Edel sei der Mensch, hülfreich und gut | Bodmer | ||||||
Opus | Work | Autograph | Copy | Date on Autograph | Sketch | autograph format | notes | copy location |
WoO 186 | Te solo adoro | Cracow | 2 June 1824 | |||||
WoO 187 | Schwenke dich ohne Schwänke! | X | 17 Nov. 1824 | |||||
WoO 188 | Gott ist eine feste Burg | Frankfurt am Main (Koch coll.) | 12 Jan. 1825 | |||||
WoO 189 | Doktor, sperrt das Tor dem Tod | Vienna, Ges. der MF | 11 May 1825 | |||||
WoO 190 | Ich war hier, Doktor, ich war hier | Leipzig (Private Collection) | ||||||
WoO 191 | Kühl, nicht lau | Berlin | Die Musik XXVIII/3 (1935) | |||||
WoO 192 | Ars longa, vita brevis (second version) | Private Collection | 16 Sept. 1825 | |||||
WoO 193 | Ars longa, vita brevis (third version) | X | ||||||
WoO 194 | Si non per portas, per muros | X | 26 Sept. 1825 | |||||
WoO 195 | Freu dich des Lebens | X | 16 Dec. 1825 | |||||
WoO 196 | Es muß sein! | X | ||||||
WoO 197 | Das ist das Werk, sorgt um das Geld! | Baltimore MD (Peabody Conservatory) | ||||||
WoO 198 | Wir irren allesamt | X | ||||||
WoO 199 | Ich bin der Herr von zu,Berlin,, | |||||||
WoO 200 | O Hoffnung | Berlin | ||||||
WoO 201 | Ich bin bereit | Vienna, Ges. der MF | ||||||
WoO 202 | Das Schöne zum Guten | Vienna, Ges. der MF | 27 September [1823] | |||||
WoO 203 | Das Schöne zu dem Guten [second version] | X | ||||||
WoO 204 | Holz, Holz, geigt die Quartette so | Berlin | ||||||
WoO 205 | musical jokes | Vienna, NB |