Beethoven’s Pianos Symposium

THE CENTER FOR BEETHOVEN RESEARCH AT BOSTON UNIVERSITY’S SCHOOL OF MUSIC, COLLEGE OF FINE ARTS
Co-directed by Professor Lewis Lockwood, Distinguished Senior Scholar, Boston University, and Emeritus Professor, Harvard University; and Professor Jeremy Yudkin, Department of Musicology and Ethnomusicology, Boston University
presents
BEETHOVEN’S PIANOS
A symposium on Beethoven’s instruments, his influences, his performances, his music
Monday, November 8, 3:30-6:30 and 8-10 pm
School of Music Concert Hall, 855 Commonwealth Avenue, Boston MA, 02215
The Participants (in alphabetical order)
Tom Beghin, Associate Professor, McGill University, Senior Researcher, the Orpheus Institute, Ghent, Belgium
Sylvia Berry, Independent Scholar, Boston, Clavichord, Harpsichord, Fortepiano
David Breitman, Associate Professor of Historical Performance, Oberlin College, Fortepiano, Piano
Kenneth Drake, Professor Emeritus, University of Illinois, Historical Keyboard Instrument Collector, Fortepiano, Piano
Bobby Giglio, Assistant Curator, Musical Instruments, Museum of Fine Arts, Boston
Richard Kramer, Professor Emeritus of Musicology, Graduate Center, City University of New York
Robert Levin, Professor Emeritus of Musicology, Harvard University, Piano, Fortepiano, Conductor
Ann Schaefer, Piano Instructor, The University of Alaska at Fairbanks
Peter Sykes, Associate Professor of Music, Boston University, Clavichord, Harpsichord, Organ, and Fortepiano
Yiheng Yang, Juilliard School of Music, Clavichord, Harpsichord, Fortepiano, and Piano
The Instruments
Clavichord, Silbermann, 1775 (Maple, 2004)
Clavichord, Christoph Gottlob Hofmann, 1794 (Chickering, 1908)
Fortepiano, Johann Koennicke, Vienna, 1790 (Smith, 1976)
Fortepiano, Anton Walter, 1795 (Maene, 1995)
Fortepiano, Broadwood, 1796 (“Manuel de Godoy”)
Fortepiano, Peter Fritz, 1815
The Program
SESSION I: 3:30-6:30 pm
Jeremy Yudkin, Introduction
Lewis Lockwood, Greeting
Richard Kramer, “Beethoven’s Inner Clavichord”
Peter Sykes, clavichord, lecture/demonstration, Beethoven’s Op. 10, No. 3, second movement (“Largo e mesto”)
Sylvia Berry and Bobby Giglio, instruments from the Museum of Fine Arts, talk and video
David Breitman, “A Well-Tempered Beethoven”
Tom Beghin, documentary film extracts, “Beethoven’s French Piano,” followed by virtual appearance
Kenneth Drake, Broadwood action, video and talk
SESSION II: 8-10 pm
Yiheng Yang, clavichord, Haydn, Keyboard Sonata in C Major, Hob. XVI: 48, L. 58
Sylvia Berry, fortepiano (Walter), lecture/demonstration
Ann Schaefer, “Pedaling in Beethoven’s Music”
Robert Levin, Lecture/Demonstration, “Improvisation in Beethoven’s Piano Music”