The Journalism Program consists of a minimum of 50 credits.
Our Master’s program in journalism is designed to produce graduates who are trained to analyze and explain the complex events of our times, as well as raise journalistic standards in all media forms. Throughout your career as a journalist, you will be called upon to tackle a number of issues and stories; as such, a cross-platform knowledge of the industry is essential. You will become a content expert across all media while sampling electives from a variety of areas, including public policy, photojournalism, science, sports, magazine, foreign reporting, and more.
First-semester courses emphasize reporting, news judgment, writing, and visual skills as you plunge into the history, law, ethics, and techniques of traditional journalism and gain an introduction to digital media. In later semesters, you’ll work with a faculty adviser to tailor your program from courses across the College of Communication and the University. Under the direction of a senior faculty member, you’ll produce a professional-quality final Master’s Project that will showcase your skills and interests.
Learning Outcomes
- The student will understand the realities of modern journalism.
- The student will understand the need for clear and concise writing and accuracy, regardless of the delivery platform.
- The student will gain the ability to create stories under time constraints and challenging circumstances.
- The student will evaluate sources and resources from which news is generated and prepared for dissemination.
- The student will practice identifying and dealing with those sources, assessing their accuracy.
- The student will gain an understanding of the historical, legal, and ethical issues affecting journalism.
Core Requirements (26 credits)
This symposium is required for first-semester graduate students in journalism. The goal is to enrich the first semester curriculum by presenting a variety of topics relevant to the field, presented by interesting speakers who are experts in the subject matter. Attendance is mandatory.
This course introduces students to multi- platform journalism. Students will gain practical experience producing and editing news and features for delivery via digital platforms. This class critiques and analyzes news sites to examine how multiple elements such as text, photo's audio, video, social media and interactive graphics are currently used in multimedia reporting. Four credits, fall and spring semesters.
You will build technical skill-sets in shooting, editing, composition, lighting and color. You will learn to develop a visual plan to produce a strong video story that includes: action, reaction, opening, closing and point of view shots. You will also learn to shoot and edit a video sequence of a process. When shooting photos or video, students will capture a variety of situations and angles while using various focal length lenses. Editing skills are key to building a story, so we’ll take a deep dive into editing workflow while learning to edit with Adobe Premiere Pro and Lightroom Classic. In addition to building visual storytelling skills, we will cover story arc and the interview.
Students learn newswriting and reporting by covering a full range of news stories in a newsroom environment. This foundation course emphasizes stress on deadline pressure, writing, and reporting for all media. Includes weekly discussion of journalism principles as illustrated by current events and controversies. Four credits, fall semesters.
MEDIA LAW/ETHIC
Student develops a portfolio of professional work while working in the field. The student works 120-200 hours per semester or summer at the internship. Comprehensive paper, employer evaluation, and portfolio required upon completion of internship. Variable credit.
Graduate Prerequisites: Consent of instructor - In their final semester, all candidates for the M.S. degree in Journalism undertake a capstone project of professional quality. In consultation with a faculty member, the student conceives the project, carries out all necessary reporting and editing, combines multimedia elements as warranted, and seeks to have the work published or broadcast. 4 cr., either sem.
Recommended Journalism Elective Courses (choose any six courses—24 credits)
Students are encouraged to select courses across areas. Throughout their careers, journalists are called upon to tackle a number of issues and stories; as such, a cross-platform knowledge of the industry is essential.
- Students may choose electives (500+ level) that are not listed below.
- (The same elective courses are not offered every semester. Other special topics courses may be offered on a semester basis.)
Curriculum Offerings
How well have the media covered recent U.S. wars? Do the media have political biases? What effect has Fox News had on the mainstream media? In the face of growing competition from the Internet, what is the future of traditional journalism? What impact are changes in the business model having on editorial integrity? Does political satire such as the "Daily Show" elevate or debase the political process? This timely course takes a critical look at the strengths, weaknesses and limitations of the news media, including current controversies. Four credits, either semester.
Undergraduate Prerequisites: COMJO 200; Graduate Prerequisites: COMJO 721. COMJO 502 offers a variety of relevant topics in the field of journalism for undergraduate and graduate students to explore. This course is designed to give students a deeper understanding of a particular topic, allowing them an opportunity to test their skills as a journalist.
A rigorous grounding in research and investigative methods from interviews and records searching to computer-assisted reporting and use of the Freedom of Information Act. Four credits, fall and spring semesters. (Undergraduate Prerequisites: COM JO 200. Graduate Prerequisites: COM JO 721.)
In this course, students learn how to cover entertainment and the arts and how to write criticism of performances and exhibitions. Students develop critical thinking and writing. Topics include: structuring a review; critical biases; profiling celebrities from a critical perspective; cultural criticism (how to write about entertainment or the arts to make broader points about our culture) and, style - how to get it. Assignments include TV, film, music and theater reviews, screenings and a trip to a Boston theater. Guests include prominent Boston critics. Four credits, fall semester.
Students examine the nature of race and gender stereotypes and the forms they take, and the historic context in which they develop and change overtime. The class looks at the structures, practices and culture of the news (and entertainment) media that create or echo and reinforce race and gender stereotypes. Students evaluate and analyze dominant political and ideological positions on race and gender in the U.S. and how they are presented by major media outlets. Four credits, every semester.
Undergraduate Prerequisites: (COMJO200 & COMJO205) - Graduate Prerequisites: (COMJO704 & COMJO721) - Whether you go to work for a print, broadcast or digital only newsroom, or produce content for your own start-up or non-profit, knowing how to properly edit content for multiple platforms is critical. This course is designed to give you hands-on experience with editing for multiple platforms. Examples of typical assignments: Editing a text story for print and web, writing a headline and description for YouTube video, copy editing photo captions for a photo gallery, fact checking social media. Students will put what they've learned to practical use by editing content that will run on the department's award-winning showcase news site for journalism students' work.
Undergraduate Prerequisites: (COMJO200 & COMJO210) - Graduate Prerequisites: (COMJO721) - This class provides instruction in covering state government, including legislative process, analyzing data, interviewing, and developing beats. Students learn how to write so that readers understand significant issues. Guest lectures, readings, and exercises explore the dynamics of political and public affairs reporting. Taken in the same semester as JO546 (Statehouse Program) as part of the Boston Statehouse Program. Class is open to journalism majors in all specializations. Four credits, every semester. (Undergraduate Prerequisites: COM JO 200 and JO 210. Graduate Prerequisites: COM JO 721.)
This is a studio course where students learn the elements of design. Students design a newsletter and sample pages for a magazine on topics of their own choosing. Students design with Adobe Creative applications. This course covers the principles of typography, composition, and visual language and encourages creative/innovative ideas. All projects will be portfolio pieces. 4 cr., either sem.
Undergraduate Prerequisites: (COMJO312) or consent of instructor. - Graduate Prerequisites: and consent of instructor. - An intensive course designed to give students the skills necessary to produce professional quality work meeting publication standards, with emphasis on storytelling in the visual medium. Weekly assignments require students to produce original picture packages complete with written material and captions. Four credits, fall and spring semesters. (Undergraduate Prerequisites: COM JO 205/303 and JO 312; or consent of instructor. Graduate Prerequisites: JO 706 or consent of instructor.)
Undergraduate Prerequisites: (COMJO200) - Graduate Prerequisites: (COMJO721) - A special-topic writing course for students interested in a career in sports journalism. Topics include game stories, features, columns, and profiles, as well as examining sport as a commercial enterprise. Four credits, fall and spring semesters. (Undergraduate Prerequisite: COM JO 200. Graduate Prerequisite: COM JO 721.)
Undergraduate Prerequisites: Pre-req: JO200 or JO721 - This course covers the practical, critical, and theoretical issues involved in reporting the world for domestic audiences. How can journalists best report on different cultures? How can they demystify the other for their readers and viewers? How do you work with a fixer? Manage your own trauma? Stay safe? How does 19th Century colonialism still influence foreign coverage, and how do you escape this influence? What's to be learned from Conrad's Heart of Darkness about reporting on Africa? When is personalizing the news a bad idea and when is a good time to do it? Students read outstanding examples of foreign reporting, workshop their stories, and learn how to be successful given the current standards for foreign reporting. However, in light of such challenges as globalization, global warming, ethnonational conflict, and the rise of China, the class also debates how to develop better norms in the future. Four credits. (Undergraduate Prerequisite: COM JO 200/250. Graduate Prerequisite: COM JO 721.)
It used to be commonly accepted that if you wanted to work in audio journalism, then you were likely looking for a career in radio news. But the nature of audio – and journalism – continues to evolve. Now, legacy media outlets like newspapers have entire audio divisions producing daily and longform podcasts while news radio stations are re-thinking their broadcasts and attracting new audiences via streaming apps. But no matter the platform, there are certain tenets of audio storytelling and production that make for great listening and powerful journalism. This class combines the highest editorial standards of public radio with the best practices of digital audio production. You will learn how to write effectively for radio, incorporating in-depth reporting techniques with creative audio storytelling. The goal of this course is to produce a variety of high-quality audio pieces that could potentially be aired on a public radio program or serve as a launching off point for a longer form project. Effective Fall 2019, this course fulfills a single unit in each of the following BU Hub areas: The Individual in Community, Oral and/or Signed Communication, Creativity/Innovation.
Undergraduate Prerequisites: (COMJO301 OR COMJO512) Or consent of instructor. - In this studio course students will develop ideas to design and publish two magazines. For each magazine students will design a cover, a homepage, and one article, in explanatory format. Students will select a subject of their interest for each magazine such as breaking news, world news, local news, politics, crime, business, tech, science, arts, culture, weather, and sports. They start with print, to hone their visual and compositional skills. All projects will be portfolio pieces containing: two homepages presenting news open;? and? two explanatory articles presenting news graphic for their headlines; in addition to their print counterparts.?Four credits, fall and spring semesters.
Undergraduate Prerequisites: (COMJO205) - This course is an advanced visual journalism class, concentrating on moving images and (a little) audio in a cinema direct documentary film tradition. The course takes students through a range of skills to develop their ability to work to professional standards & complete a narrative documentary show-reel adhering to photojournalistic/cinema direct ethics. You may use this class to create visuals/b-roll for an existing documentary film project you are working on. It will be a showcase piece for your portfolio. Active, experiential and hands-on learning will dominate this course. You are expected to have some experience in video and sound, as well as a basic knowledge of how to edit, though the instructor will assist you to grow your skills. 4 credits. (Undergraduate Prerequisites: COM JO 205. Graduate Prerequisites: COM JO 706; or permission of instructor.)
Students follow the week-to-week interaction of the president and the news media, while examining the evolution of relations between journalists and American presidents from FDR to the present. Four credits
Undergraduate Prerequisites: (COMJO357) - Journalism has been called "the first rough draft of history." We consider several episodes from U.S. history and examine how the first drafts written by journalists compare to subsequent drafts written by historians. We analyze how new evidence and chronological distance alter understanding of important events. Four credits, fall semester. (Undergraduate Prerequisite: COM JO 150.) Effective Fall 2019, this course fulfills a single unit in each of the following BU Hub areas: Social Inquiry II, Oral and/or Signed Communication.
Investigative and Project Reporting is an advanced reporting clinic and seminar that teaches students how to identify, vet and pursue investigative stories. Students will dissect what it means to be “an investigative reporter” while learning and utilizing some of the most useful practices and tools of the trade. From conducting interviews and requesting public records, to searching databases and organizing data, we as a class will work toward a long-term project that will, ideally, be published and or broadcast with a number of potential news partners, including WBUR, Boston’s NPR station, ProPublica and The Boston Globe. Story topics may include criminal justice investigations, deep dives into immigration, as well as accountability reporting of complex systems and institutions, all with an emphasis on humanizing our story and placing an emphasis on the crucial role of effective storytelling.
Undergraduate Prerequisites: (COMJO205) - Graduate Prerequisites: (COMJO706) or permission of instructor - New course description: This course explores long-form storytelling through the genres of photojournalism and documentary photography. We investigate advanced technical underpinnings and techniques of digital photography with the goals of enabling students to control their work, experiment and develop a deep understanding. Through lectures, hands-on assignments, and critiques, students expand their understanding of digital photography while exploring their creativity to broaden the possibilities and improve the quality of their photographs. With this lecturer's background in conflict and documentary photography, this course will explore those worlds extensively, with an emphasis on narrative photography, but it does not preclude you from any genre of photography you wish to pursue. The goal of the course is for each student to produce a semester-long body of work, or a photographic essay. The art of editing your own work will be a key learning goal. The course will constantly refer to the advanced use of software tools and color management technique. 4 Credits. (Undergraduate Prerequisites: COM JO 205. Graduate Prerequisites: COM JO 706; or permission of instructor.)
GLOBAL HEALTH STORYTELLING marks our first effort to present an interdisciplinary curriculum designed to address core concepts in both public health and journalism, and to prepare students to make the truly exciting--but often untold--stories of public health available to a wide public Effective Fall 2019, this course fulfills a single unit in each of the following BU Hub areas: Global Citizenship and Intercultural Literacy, Oral and/or Signed Communication, Creativity/Innovation.
Undergraduate Prerequisites: JO 351 - Graduate Prerequisites: JO 707 - Students learn advanced professional techniques for an essential skill. From preparing an interview to setting it up and carrying it out, students get detailed instruction and feedback. Please note: prior video production experience is required for this class.
This course is an examination of cultural history as seen by our fellow journalists. It rests on the premise that to be a great writer, one must also be a great reader. With readings from Walt Whitman to the present, we examine the tools and techniques that make nonfiction writing memorable. Subjects include Mark Twain, George Orwell, Joan Didion, Ernest Hemingway, Martha Gellhorn, Tom Wolfe, Hunter S. Thompson and the great misanthrope, H.L. Mencken. Four credits, fall and spring semesters.
Undergraduate Prerequisites: JO 200 - Graduate Prerequisites: JO 721 - Trauma is at the heart of news. A working journalist will most assuredly report on some type of traumatic event at some point in her career, whether covering a national tragedy or one family's personal nightmare. This course will explore the best practices for ethically and empathetically covering traumatic stories. A second important goal of this course will explore how journalists themselves can emotionally process what they have seen and heard on the job.
Undergraduate Prerequisites: (COMJO250 & COMJO310) - Graduate Prerequisites: (COMJO721) - Taking advantage of our location in the state capital of Massachusetts, the Journalism Department offers students the chance to cover the Statehouse for professional news clients. The prime component of The Boston Statehouse Program, this advanced study in government and political reporting offers the opportunity to write and report from Beacon Hill for a Massachusetts news organization. The course goal is to develop writing and reporting skills through the daily experience of covering state government that will apply in many fields. Working with a professor and a professional editor, students acquire the skills necessary to work in a daily news environment, including interviewing, developing sources, archival research and deadline writing. Students develop a substantial portfolio of published work. Taken with JO 511, eight credits, fall and spring semesters. See Statehouse Program: http://www.bu.edu/statehouse. (Undergraduate Prerequisites: COM JO 200 and JO 210. Graduate Prerequisites: COM JO 721.)
Undergraduate Prerequisites: (COMJO304) - This course focuses on producing long-form, interactive multimedia projects. Working in teams, students learn to produce documentary-style multimedia packages that combine still photography, audio, video, interactives and text. The course will offer an overview of techniques and best practices currently employed by news organizations to produce advanced multimedia projects. Four credits, fall and spring semesters. (Undergraduate Prerequisites: COM JO 304. Graduate Prerequisites: COM JO 704.)
Graduate Prerequisites: JO 721 - This is a course in long-form magazine journalism such as appears in the New Yorker, Rolling Stone, Outside, and the New York Times Magazine, as well as websites such as Medium, The Atavist and others. Students read and analyze superb examples of the genre and report, research and write long-form pieces. Topics intensive, in-depth reporting and research; the writing process; the use of fine language and the development of a personal voice; the importance of a point of view; structuring long pieces; digging deeply into subjects in order to truly enlighten readers. Four credits. (Prerequisite: COM JO 721.)
This introductory course is about reporting, writing and producing the news for television and the internet. Students learn the fundamentals of news- gathering, story generation, research, videography, writing, editing and presentation. Strong stories air on BUTV and are posted on the department's news-service website. Four credits, fall semester.
Graduate Prerequisites: JO 710 or permission of the instructor - Recommended for students in the TV journalism specialization who are interested in long-form video storytelling. This is a production class and will also include the study of documentary aesthetics, ethics and genres. Students will work throughout the semester to produce, shoot, and edit an eight-minute documentary short, learning to build a story from an idea to the final edited story. Students will be critiqued on their production skills as well as their reporting and storytelling.
Graduate Prerequisites: (COMJO721) - For students who like the teamwork and adrenaline of a real newsroom. Students produce a half-hour news show on the student radio station, WTBU, during each class. Students report, write, produce and engineer all the news sports and commentary on deadline. Students use social media to report stories. Content is uploaded to the department's news- service website. Students file stories frequently, and programs from NPR, BBC, WBZ and other audio news outlets will be critiqued. Four credits, fall and spring semesters.
Graduate Prerequisites: (COMJO721 & COMJO707 & COMJO711) - Students produce a weekly half-hour newscast, broadcast on cable TV and the Internet, with live coverage and video reports on local, national and international news as well as sports highlights and weather. Students rotate positions weekly, using television studios and the control booth, collaborating to broadcast a fresh, informative and accurate newscast while facing the daily deadlines of a working newsroom. Four credits, spring semester.
- Computational Journalism (4 cr)
Courses in Sports Management and Law may be taken with advisor approval.
Questrom School of Business courses may be taken with advisor approval and in consultation with the Questrom School of Business.
The Pulitzer Crisis Reporting Fellowship and courses in International Relations are recommended with advisor approval.
The Washington, DC Program, and electives in Political Science, are recommended with advisor approval via petition.