PhD Internship Program History

Since 2018, the Office of the Associate Provost for Graduate Affairs and the BU Center for the Humanities have sponsored paid summer internships at major Boston institutions. Since summer 2022, these internships have been generously supported by the Demir Sabanci (CAS’ 93) Experiential Learning in the Humanities Fund.

In summer 2024, PhD students held internships at continuing partner institutions: the Boston Athenæum, Boston Symphony Orchestra, Institute of Contemporary Art, Massachusetts Historical Society, and the New England Historic Genealogical Society and at two new partner institutions: the Concord Museum and the Race and Regency Lab. In what follows, intern reflections demonstrate the value of experiential learning outside of academia to highly-trained humanities scholars, and, in turn, how much these scholars have to offer a wide range of cultural institutions.

At the Institute of Contemporary Art, Alina Amvrosova (History) researched artists affiliated with the African American Master Artists-in Residency Program and used archival materials to craft biographies for several individual artists. Read Alina’s full reflection.

 

 

 

Drawing on primary sources in the Boston Athenæum’s holdings, Meredith Barber (History) developed and presented on source sets on topics in African American history for future use by K-12 educators. Read Meredith’s full reflection and watch her lightening presentation.

 

 

 

Isabella Dobson (History of Art & Architecture), whose research focuses on Renaissance and Baroque art, worked on several projects over the course of her internship at the Massachusetts Historical Society. The largest project required her to read and analyze primary sources related to Japanese American incarceration during World War II. Read Isabella’s full reflection.

 

At the New England Historic Genealogical Society, Irene Garcia (History of Art & Architecture) contributed to the 10 Million Names project. Working with primary source materials, Irene researched African American abolitionists Nathan and Polly Johnson and several of the fugitives whom they sheltered in New Bedford, MA. Read Irene’s full reflection.

 

 

As the curatorial intern in the Exhibitions Department of the Concord Museum, Genevieve Kane (American Studies) conducted historical research and drafted object labels for three upcoming exhibitions that will commemorate the 250th Anniversary of the American Revolution through. Read Genevieve’s full reflection.

 

 

 

At the Boston Symphony Orchestra, Adebola Ola (Musicology & Ethnomusicology) digitized and documented current exhibition panels on display at Symphony Hall and created an Excel spreadsheet with over one thousand entries, documenting past panel exhibits from 2014 to 2024. Read Adebola’s full reflection.

 

 

During an inaugural internship at the Race and Regency Lab, Constanza Robles (History of Art & Architecture) curated a virtual exhibit, Visualizing Property, which centers on a 1772 manuscript plan of Belvidere plantation in Jamaica, home to hundreds of enslaved people (c.1600–18333). Read Constanza’s full reflection and view the virtual exhibit.