Vol. 26 No. 1 1959 - page 158

160
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A QUARTERLY OF AMERICAN
MUSIC, Ralph
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PARTISAN REVIEW
not representative of what Mr. Mar–
CUS!!
really meant, it is because his
book, not I , gives a false picture of
his true views. On rereading most of
the book
I
am left more than ever
with the complaint
I
voiced in my re–
view, that Mr. Marcuse regularly leaves
his reader "in complete confusion as
to whether a given passage represents
what Soviet theorists actually
say,
or
what they don't say but
mean,
or what
Mr. Marcuse thinks they
really
are
saying, or what
he himself
thinks."
ACKNOWLEDGEMENT
SIRS:
Alex Inkeles
Professor Gleb Struve of the U niver–
sity of California, the foremost author–
ity on Soviet literature, has just brought
to my attention that
I
was wrong in
stating in my Pasternak essay that the
poems from
Doctor Z hivago
which
were published in a Leningrad periodi–
cal in advance of the novel included
even those which are "predominantly
religious in theme." This was hardly
possible in Soviet R ussia. Professor
Struve is right, and
I
wish to ac–
knowledge in print his correction as
well as my mistake.
CORRECTION
SIRs:
Sincerely yours,
Renato Poggioli.
M emory played me a bad trick in my
article, "American Odyssey," in the
Summer 1958 issue of PR, by making
me say that J ay Gatsby was running
away from "J acob Gatz ... i.e., from
the image of his European, J ewish ori–
gin ." Fortunately, this lapse did not af–
fect the argument. For J ay Gatsby of
West Egg, Long I sland,
alias
J ames
Gatz, of North Dakota and Minnesota
and of Lutheran background, r emains
a legitimate symbol of the deep schism
between the " Platonic conception" of
America and the empirical reality.
Hllns Mllyerhoff
I...,148,149,150,151,152,153,154,155,156,157 159,160
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