Conferences & Publications (Recent)
“A Sidestep: Inhabiting Invisible and Speculative Artistic Research.” In Transgressive Tendencies: Stepping Over to Go Beyond panel, College Art Association Annual Conference, New York, N.Y., 2023.
“Invisible Research.” To Be Opaque and to Glitch, University of Applied Arts Vienna, Austria, 2022.
“Choreographic Thinking as Artistic Research: Following Desire Lines in Your Practice.” Viewpoints to Artistic Research, University of the Arts Helsinki, Finland, 2022.
“What Moves (Us) in Exhibitions? From Representations to Relationships.” UMAC–Universeum Joint International Conference, 2021.
“It Begins (Again and Again).” Presented at I Experience as I Experiment—I Experiment as I Experience: Experience and experimentality in artistic work and research, Academy of Fine Arts/University of the Arts Research Days, Helsinki, Finland, 2019.
“Thirteen Ways of Looking at Choreographic Thinking.” In I Experience as I Experiment/I Experiment as I Experience, Research Days Catalogue, University of the Arts Helsinki, 2019.
“Arranging Spaces of Relation(s): What Can Objects Do?” Presented at “University Museums as Cultural Commons: Interdisciplinary Research and Education in Museums,” UMAC Tokyo Seminar, Tokyo, Japan, 2019.
“Of Accidental Origin: Discussion-Based Pedagogy Meets Student-Driven Curation.” Curated poster presentation, University Museums and Collections as Cultural Hubs: The Future of Tradition, ICOM/UMAC General Conference, Kyoto, Japan, 2019.
“Performing in the Museum: Some Questions on Labor, Identity, and Artistic Research.” Presented at Practice, Participation and Politics: Nordic Forum for Dance Research Conference, Theater Academy, Helsinki, Finland, 2019.
“Generative Encounters: Choreographic Thinking in Curatorial and Visual Arts Research.” Presented at Per/Forming Futures Conference: Investigating Artistic Doctorates in Dance and Performance/ADIE, Middlesex University, London, UK, 2019.
Lauren O’Neal and Olivia Knauss. “The mystery of a lost portrait: The Lamont Gallery and its rediscovered Diego Rivera.” The Art Guide, 2018.
“Creative Chaos: Collaborations with Student Curatorial Teams.” Presented at Independent School Art Instructors Association Conference, Trinity School, New York, N.Y., 2017.
“Curation as Choreography: The Process of Making Exhibitions.” Presented at Rye Art Study Group, Rye, N.H., 2017.
“Bad Bodies: Inscriptions of Fatigue, Instability, and Resistance.” Panel chair, College Art Association Annual Conference, New York, N.Y., 2017.
“Moving Subjectivities.” Presented at Movements, Flows, Resistance: Southern Humanities Council Conference, Louisville, Ky., 2017.
“The Aesthetics of Refusal: Fatigue, Counter-Choreography, and Glance-Time.” The Third Nomadikon and Center for the Ethics of Seeing Conference, Memphis, Tenn., November 2016.
“I Am Interested in Dragging: Fatigue Aesthetics & Counter-Choreography.” In Conference Proceedings, Expanding Notions; Dance/Practice/Research/Method, Nordic Forum for Dance Research, Reykjavík, Iceland, 2015.
“Arts Administration Faculty of the Future: Academic Pathways to the Profession.” Panelist, Association of Arts Administration Educators Conference, New Orleans, La., March 2013.
“Nothing to Look At? Irritated Vision, Counter-Choreography and Subjectivity.” Panelist, Performative Tendencies, College Art Association Annual Conference, New York, N.Y., February 2011.
“Sensorial Archives: Subjectivity Beyond Visuality—Counter-Choreographic Practices in the Work of Xavier Le Roy, Nell Breyer, and Anna Schuleit.” European Artistic Research Network Conference, Kuvataideakatemia, Helsinki, Finland, April 2010.
“Better Learning through Chaos: Embedded Service Learning.” Association of Arts Administration Educators Conference, Philadelphia, Pa., April 2009.
“Contemporary Feminist Aesthetics: One Artist’s Perspective.” Panelist, 15th Annual Women & Society Conference, Marist College, Poughkeepsie, N.Y., November 2006.
“Report from Helsinki.” Art New England (October/November 2006).
“Absurd Bodies & Anonymous Intimacies: Contemporary Feminist Art Practice.” (As Lux Kapel.) Bodies, Arts, Intermediality Conference, Vaxjo University, Vaxjo, Sweden, October 2005.
“Transcending Traditions: Women and New Media Art.” Women’s Caucus for Art National Conference, Atlanta, Ga., February 2005.
“Installation: Art in Your Garage.” Art New England 25, no. 2 (February/March 2005).
“Pomus Ingenium by Michelle Lougee,” Boston Sculptors Gallery/Boston. Art New England 26, no. 1 (December/January 2005).
“The 4 Elements,” Forest Hills Cemetery/Boston. Art New England 25, no. 1 (December/January 2004).
“On the Spiritual in Photography: Artists’ Panel.” Photographic Resource Center at Boston University, Boston, Mass., March 2004.
“Denatured Beauty: Matthew Barney’s Cremaster Cycle.” Art New England 24, no. 4 (June/July 2003).
“Recasting the Past: Niho Kozuru,” Clark Gallery/Lincoln. Art New England (April/May 2003).
“Summer Camp: David Williams,” Kidder Smith Gallery/Boston. Art New England, (December 2002/January 2003).
“Terrors and Wonders: Monsters in Contemporary Art,” the deCordova Museum/Lincoln. Art New England 23, no. 1 (December/January 2002).
“On Our Own Time: Artmaking, Teaching, and Learning in Community Centers.” Panelist, Massachusetts College of Art/UrbanArts Institute, January 2001.
Exhibitions & Performances (Recent)
Out of Place. Juried exhibition, Fountain Street Gallery, Boston, Mass., 2020.
I Experience as I Experiment—I Experiment as I Experience. Exhibition Laboratory Gallery, Helsinki, Finland, 2019.
Experimental Choreographies [solo exhibition]. Gjutars Gallery, Vantaa, Finland, 2019.
Situational: A Studio Research Residency. Lauren O’Neal & Kathy Desmond, The Nave Gallery, Somerville, Mass., 2019.
Performer, Waterway/Lightway/Greenway, by Peter DiMuro/Public Displays of Motion. Rose Kennedy Greenway, Boston, Mass., 2019.
Performer, On Display, by Heidi Latsky Dance. Boston Architectural College, Boston, Mass., 2018.
Performer, MEEM 4 Boston: A Story Ballet about the Internet, by Ryan McNamara. Institute of Contemporary Art, Boston, Mass., 2018.
Some Reliable Truths About Chairs. Juried exhibition, UMVA Gallery, Portland, Maine, 2018.
Proclamations! Collaborative performance, Phillips Exeter Academy, Exeter, N.H., 2018.
Residencies & Grants (Selected)
International Student Grant, University of the Arts Helsinki, 2020.
TTOR Doctoral Artistic Research Grant, University of the Arts Helsinki, 2020.
Travel Grant, University of the Arts Helsinki, 2019.
Gjatars Artist Residency, Vantaa, Finland, 2019.
Residency & Merit Grant, Vermont Studio Center, 2018.
Faculty Research Grants, Phillips Exeter Academy, 2015–2018.
Luminous Bodies Residency, Artscape Gibraltar Point, Toronto, Ontario, 2016.